‘Alice in Wonderland’ for contemporary readers seems to be the consensus of some early reviewers. Like Stephanie Garber’s ‘Caraval’ this is a novel that looks like it will inspire extreme responses. With a lyrical prose style, some dark content and a sustained use of the absurd, this book will either appeal completely and be devoured in one sitting, or you’ll admire parts of it but be left generally non-plussed.
I was completely smitten!
Alice has never met her grandmother, a reclusive writer, but her short book of fairy tales is a literary phenomenon. The stories surrounding the writer and her mysterious Hazel Wood estate hint at strange events. The only things Alice knows for certain is that her mother, Ella, is determined she will never go there and that she has spent her life moving from place to place hiding from the strange things that follow them.
One day Ella goes missing. Alice becomes convinced that the odd characters she sees have something to do with it. Mysterious letters arrive for Alice, but nobody can help her. With the aid of super-fan, Finch, Alice resolves to make her way to Hazel Wood and learn for herself the truth about the Hinterland.
Nothing could prepare her – or us – for what she learns.
Having been declined for an ARC from the American publishers of this book I thought I was stuck waiting for my copy to come in February. Then Penguin UK came to my rescue…I can’t wait to read it again, which I think is the surest sign of a book finding its mark.