‘The Hate U Give’ – Angie Thomas

Where to start?

Yesterday I watched (somewhat perplexed) the unfolding media storm over the Pepsi advert featuring Kendall Jenner. Purportedly sharing a message of love and unity, the company have been accused of generating controversy at the expense of the Black Lives Matter movement. Whatever we may say, the suggestion that a can of soft drink could stop a riot did – quite rightly in my view – rankle. What it highlighted to me, however, was the need for some form of reflection on the events taking place across the world, and the attitudes towards race that we sometimes unconsciously perpetuate.

Thankfully I do not live in a world where the phrase “A hairbrush is not a gun” means much to me. A quick internet search of the phrase threw up many references to the murder in 2007 of Khiel Coppin by police who thought he had a gun which did, indeed, turn out to be a hairbrush. There are too many such stories that could be quoted throughout history…call me naive but when will we learn to look to our common bond of humanity to shape the way we interact with one another?

Touted as a must read YA book of 2017 already, there’s no doubt that The Hate U Give is a hard-hitting, intensely painful yet moving attempt to try and articulate some of the concerns and thoughts people around the world have about race. Whatever your personal experience, I feel this is a book in which everyone can find something to love.

We follow sixteen year old Starr through what, for many, is an unimaginable series of events but which, sadly for too many, is a stark reality.

Starr comes from a close and loving family, but not everything is so clear-cut. Her father has walked away from the gang culture that pervades their neighbourhood, and she is caught between two worlds: the poor neighbourhood where she lives and the suburban prep school she attends where she is one of two black students. These two worlds clash in a way I cannot even begin to fathom when we watch Starr witness the shooting of her best friend by a police officer.

The story quickly becomes national news, and through this main story we are given a compelling narrative exploring Starr’s experiences and the lives of those around her. I was touched by the view of Starr’s mother who said “Sometimes you can do everything right and things will still go wrong. The key is to never stop doing right.” This mantra is a hard one to abide by when the consequences are, potentially, so damaging. Yet we watch Starr gain the confidence to find her voice and start to articulate some of her feelings in an attempt to ensure that people look beyond the stereotype of Khalil the drug-dealing thug. While the events surrounding Khalil’s murder are depressingly portrayed, it was interesting to see how this event affected the lives of everyone caught up in it.

While this book does focus predominantly on attitudes to race, there was a highly developed focus on the development of Starr as a person. Watching her try to reconcile her very different experiences, and come to find her voice was compelling. During the novel Starr is asked what the point is of having a voice if, when it’s needed, you keep quiet. Nobody wants to encourage violent agitation of the type described regularly here, but seeing these characters find their voices and try to articulate their frustrations sends a powerful message.

Thank you to edelweiss for the advance copy in exchange for my thoughts. I can’t wait to see what’s made of this by other readers.

‘Beck’ – Mal Peet and Meg Rosoff

Beck

Going into this I really wasn’t sure what to expect. Early reviews on the Carnegie Shadowing site seem to be focusing on the inappropriateness of this novel for teen readers, and the concerns over the graphic nature of the abuse experienced by the main character. Looking beyond these comments I learned that Peet had been inspired to write this after reading something about the historical abuse of children sent to Canada and Australia. Of course it’s not going to be all sweetness and light!

With something of a heavy heart I set myself to read this. Oh, how I was doing this book a disservice.

The opening part gives us, very tersely, the background to Beck and immediately makes it clear that this is a boy who was not going to get a good deal in life. I read with a sense of detachment of his early years in the orphanage in Liverpool. Beck gives little comment on this, and the decision to not write this in first-person means we don’t have to go too deep into the emotions/thoughts of the character though it’s all too clear how he’s feeling. I was disgusted by the way in which these boys were packed off to Canada and the lack of care and compassion shown to them.

As part one focuses on the historical element of Beck’s story we cannot shy away from the time he spends with the Brothers. From early on there are hints of bad things happening, and the little details suggesting the abuse experienced by many of the boys indicates the scale of this horror. A number of reviews express concern at the graphic nature of the bath scene where Brother Robert attempts to seduce Beck. I confess to reading this feeling very uncomfortable, and my relief when Beck fought back was chillingly quashed moments later when we were categorically told the results of him not complying with events. An event that will linger long in the memory but, however uncomfortable it made me, it is fact and a truth that deserves to be told.

Watching Beck as he journeys through life was bleak. He is not treated well, and on the rare occasions he is shown love and compassion events conspire to make him feel that he cannot trust anyone. It was a sobering thought that the criminals he encounters are actually the people who treat him most kindly.

When Beck is finally discovered by Grace they appear to have little in common. Over time, they establish a close bond and this attempt to provide Beck with some redemption was welcomed by me. I certainly didn’t read this section feeling that their intimacy was unwelcome. If anything, the fact that someone who had experienced such pain and misery could still find it within themself to love was inspiring.

Peet – and Rosoff who completed the novel after his death – are favourites to win this year’s award. By the comments on the Shadowing site there’ll be lots of students denied the chance to read this and form their own opinion of it. That is a shame. It’s a tough read, without a doubt, but there’s a lot to admire in this.

‘Windfall’ – Jennifer E. Smith

Windfall

Alice has, by anyone’s standards, had a pretty tough life with both her parents dying close together. But she has a loving cousin, aunt and uncle, and a good friend. In this story those bonds are tested…by an unexpected windfall.

When Alice buys her best friend, Teddy, a lottery ticket for his birthday she never expected anything to come of it. But he becomes the youngest ever winner and is suddenly responsible for over 140million dollars.

If you ignore the improbability of this story you will definitely enjoy this story. The fun Teddy has squandering this money is probably everyone’s fantasy, but he soon comes to realise money is fairly meaningless. It’s the people around us who matter, and this fortune helps him make a difference to so many people.

What follows is, I think, rather obvious but this is a heart-warming story about love and what it means to people (with the money forming a nice backdrop).

Thanks to NetGalley for the opportunity to review this.

‘Railhead’ – Philip Reeve

Railhead

I picked this up as it was on the short-list for 2017 Carnegie Awards. There’s been a fair amount of criticism over the choices for this year, so I’m curious to read those on the list and see why they’ve been selected (having read a lot of the nominations and been surprised not to see some on the final list).

This is a book that I can’t help but feel doesn’t do itself justice. The cover and blurb very strongly hint at its sci-fi/cyberpunk style, and I don’t think it screams ‘read me’ to teen readers. What a shame for those who don’t bother to pick it up!

In ‘Railhead’ – the first in a trilogy – Reeve creates a world where humans are no longer bound to Earth, and are able to move from planet to planet by passing through gateways while travelling on sentient trains. Those who travel in this way (railheads) form something of a unique community, and not all seem so keen to allow such travel to take place freely.

‘Railhead’ tells us the story of petty thief Zen Starling. He is one of the aforementioned railheads, and from the start it is strongly suggested that there is more to him than meets the eye. When we are initially introduced to Zen and his family his selfishness was clear to see. This is the boy who himself says he will always choose the winning side, but there is something admirable about him. As we see him get caught up in something we don’t fully understand it takes a while to get answers, but we soon come to realise there’s a whole lot more going on here than we first thought.

The style of the book is eminently readable, and the characters – though quite selfish and unlikeable – do act in ways that I couldn’t help but warm to. The depiction of the futuristic world was incredible, and I have to admire the way Reeve actually got me to care about what are, essentially, machines – whether that was the trains (including the Thought Fox, about which I could see myself having nightmares), the creepy Hive Monks or the wonderful Motoriks! I really liked most of the main characters and the sense of threads coming together as I progressed through the story was immensely satisfying.

Perhaps I’m reading too much into this, but I felt this really held a mirror up to many of the advances/concerns of our world and will encourage readers to consider their views on a number of topics. Going into this with fairly low expectations, I am pleasantly shocked by how much I enjoyed this story. So much so I’ve ordered book two!

‘The Selection’ series – Kiera Cass

The Selection series The HeirThe Crown

 

Book One – The Selection (read and reviewed July 2016)

Link: http://mygoodreads.co.uk/?p=950

Book Two – The Elite (read 06/03/17)

Book two picks up after the events of the first in the series. America has a firm foothold in Maxon’s affections, but she can’t bring herself to trust her feelings for him/feelings about the caste system and her indecision is the focus of most of the novel.

On the surface we have the superficial Selection process – like Blind Date gone horribly wrong we see the girls who are left put through a series of tasks to prove their worthiness. Lest we forget, we’re reminded regularly that though Maxon gets to choose, there are other forces coming into play that he has less control over.

The book was fairly well-paced and we get some further understanding of just what Maxon is put through as part of his role. This, however, seemed a bit cobbled on to explain why he didn’t stand up to people more.

The threat from the Rebels is closer, and there’s certainly more to this than we’ve been told so far. What annoyed me here though was America herself. She’s reckless, headstrong and so flamin’ indecisive I was really irritated by her. I can see why she’s appealing to some of the characters in the novel, but I hope the anger she was feeling at the end of the book forces her to act with some sense of decisiveness in book three.

 

Book Three -The One (finished 08/03/17)

A really emotional read, which is no mean feat for a book that is, at heart, focused on the superficial Selection process of choosing a wife for Prince Maxon.

In spite of many of the characters being more than irksome, here we got a real chance to see beyond the surface and come to know more about them/their hopes and fears. I even found myself liking America at points as she wrestles with her feelings for Maxon, comes to acknowledge the true state of her relationship with Aspen and finally acknowledges her role in the process.

For me a strength of this book was the fact it moved beyond the Selection and showed us more about the rebels/state of the country. It was much easier to get emotionally invested in people once we stopped seeing them in isolation.

While the actual process of Maxon and America forming their alliance came under pressure, I was quite stunned by the pace of the final part of the novel. Having already hit us with a death-blow that felt absurdly painful, I couldn’t read fast enough for the closing moments. Though I can’t help but feel shamefully manipulated, those final moments of the process and the emergence of the new order contained some of the best scenes of the series.

Book Four – The Heir (read 11/03/17)

We get to see America and Maxon years after their wedding, and we gain an insight into the changes they brought to their country. This novel focuses on their eldest daughter, Eadlyn, and the attempt to quell disturbances by holding another Selection.

There’s no escaping the fact that this felt like the same book, just with different characters. What I did like in this was the characters who aren’t part of the process. I didn’t particularly like many of the boys and the artificiality of the setting. It seemed an unusual situation to leave the book in, but I’m looking forward to seeing where we end up.

Book Five – The Crown (read 12/03/17)

First, this was full of romance and high on emotion. Second, there are some unexpected twists and turns that you might not see coming. Third, that’s it…
Eadlyn begins the novel in the immediate aftermath of her mother’s heart attack. Things are tense, and the turbulence in the Palace is mirrored in the country.
I unashamedly fell for the events of this novel. Rather predictable in places but Eadlyn grew as a character and there was a lot to like here.

‘Gilded Cage’ – Vic James

Gilded Cage

TARNISHED CITY is published early September 2017
BRIGHT RUIN concludes the trilogy in June 2018

A dark fantasy that immediately had me intrigued, and now I’ve read the first part I am desperate to see where James takes this next (it’s not that long to wait until September, honest!)

Our story opens with the death of a young slave at the hands of her ex-lover as she tries to leave the estate with their young child. Immediately it is clear that this is a brutal existence and the Jardine family – as one of the foremost Equals – are a force to be reckoned with.

In this world the ruling elite – the Equals – have authority over the masses, and everyone is forced to give up ten years of their life to servitude. Some romanticise the Equals and their Skills, but the reality of their power and capabilities is truly frightening (and isn’t really shown fully until we are immersed in the world).

We focus on the events involving Abi and Luke Hadley, the older children of a family who are set to spend their slave period working for the Jardine family. Unfortunately, Luke is not found a position and ends up in one of the slum towns working in a highly dangerous place. What is more dangerous is the group of people he encounters who hold beliefs that could result in a lot of trouble.

Without giving too much of the plot away, I found myself gripped by this. The characters were all intriguing, and it was exciting to see how each of them coped with their varied experiences. James skilfully sets up this world, and gives us a clear history/sense of where these ideals have come from, yet keeps racking up the intrigue. Throughout my reading I was vacillating between which of the Jardine brothers was least to be trusted, and there’s just enough revealed to satisfy us while keeping plenty back for the next in the series.

This was an unexpected treat, and I think it’s a definite must-read for fantasy fans.

Lauren Kate – ‘Fallen’ series

 

FallenTormentPassion
RaptureUnforgiven

Book One – Fallen (read 02/03/17)

This is the kind of story that carries you along quite happily, and it is only after you finish reading that you start to pick holes in it.

Luce is sent to a reform school due to an unfortunate incident involving a boy and flames, lots of flames. She has, since she can remember, seen mysterious shadows around her and is, understandably, keen to not share this information with people. Unfortunately, everyone she comes across at this new school clearly knows a lot more about her and her situation than Luce is allowed to know.

Things happen fairly quickly, and the inevitable relationship dilemma is dealt with in a fairly engaging way. There’s a lot of characters, many of whom are expendable and don’t seem to have much impact on the story.

While this book was not particularly bad, it was frustrating because we watched Luce get into ridiculous situations without questioning what was happening. There were a few too many unanswered questions for my liking, but I’m looking forward to seeing the development of the story in the rest of the series.

Book Two – Torment (read 05/03/17)

‘Torment’ picks up immediately after the events of ‘Fallen’. We start with Luce being taken to a new school where it’s hoped she’ll be safe as she’s surrounded by the Nephilim (offspring of humans and fallen angels).

It’s no surprise to see that it all goes rather wrong. She gets to see Daniel occasionally but Luce spends most of the book digging round and trying to find out more about her past. We meet some new characters, learn a bit more about angels and watch Luce bumble from one disaster to the next as she tries to lay low. It wasn’t bad, per se, but it was incredibly frustrating to have yet another book where we get no closer to any answers.

Book Three – Passion (read 06/03/17)

In the third in the series Luce is determined to go back through time, to the times she and Daniel have met, in order to try and work out how she can put an end to her fate. What follows is a bit of a mish-mash of us seeing Luce and Daniel fall in love through history.

I understand that there is something slightly romantic about watching Luce and Daniel fall in love in their various incarnations, but we remain pretty short on answers in this novel. The style felt even more fractured than the previous two, but there were some nice scenes.

Where this did become fun was as we drew closer to the Fall and start to gain an insight into exactly what happened and how the curse affecting Luce came into being. We get some hints of where we might be going, but it does seem that things are being drawn out rather for the sake of it.

Book Four – Rapture

Book Five – Unforgiven

 

‘History Is All You Left Me’ – Adam Silvera

History is all you left me

One of the things I love about being part of an on-line reading community is hearing from other readers about books that I might not have otherwise picked up. Adam Silvera’s novel – published in January 2017 – is my first read by this author and, based on my feelings after reading this, it won’t be the last!

Our story focuses on seventeen year-old Griffin, and how he feels after the death of his ex-boyfriend and first love, Theo. Griffin is definitely finding it hard to accept the loss of someone so important to him, and we see him being torn apart by his obsessions as he tries to adjust to life without the person who remained so important to him.

This was one of those books that snuck up on me and has left me more than a little stunned…in a great way…and there were a number of reasons for this.
First, let’s deal with the fact that Griffin is gay and celebrate that this book doesn’t treat it like anything other than part of who he is. Yes, he has relationship difficulties. Sometimes he acts like a jerk. His relationships have touching moments that I felt privileged to be allowed to witness. Sometimes it’s painful. Whatever we’re witnessing, it’s part of him.

Second, the structuring of the story was something that I found immensely satisfying in revealing the characters we were introduced to. Splitting between History and Today to show the memories Griffin has and how he’s dealing with the aftermath of Theo’s accident was, initially, rather confusing but it makes perfect sense as we draw closer to Griffin and see just what he’s living with.

There are so many things I liked about this story. It explores a painful event in anyone’s life, but learning to live with loss and first love will be relevant in some way to most readers. The closing pages – as we see Griffin finally coming to accept, in part, what he needs to do to forgive himself – were emotionally hard to read.

The final line really intrigued me as it suggested Griffin might not be quite as reliable a narrator as we were led to believe. Who can judge whether you have a shared history wrong? I’ll be puzzling this over for some time.

‘Scythe’ – Neal Shusterman

Scythe

A world with no hunger, no disease, no war, no misery. Humanity has conquered all those things, and has even conquered death. Now scythes are the only ones who can end life—and they are commanded to do so, in order to keep the size of the population under control.

When we first meet Citra and Rowan it is clear that they are no ordinary teenagers. Their behaviour makes it clear that each has certain attributes that would make them a good scythe. Neither wants the role – and this is a good thing – but they are each taken on as apprentice to the indomitable Scythe Faraday (who I think has to go down as one of my favourite mentor figures in Literature).

It definitely makes for a better read to know little more than the information we are given prior to reading. We are quickly immersed in this futuristic setting, and also get a real sense of a microscope being held up to our contemporary world to scrutinise our own beliefs.

There is a lot of political intrigue behind the scenes, and it’s not giving anything away to tell you that after a series of unfortunate events Citra and Rowan end up pitted against each other in possibly the cruellest competition ever. There’s a truly wonderful cast of characters here, and though there is a lot of violence it is not out of place.

Personally, I cannot wait until book two is released…

‘Monsters’ – Emerald Fennell

Monsters

The first thing I have to wonder is how this passed me by when it was released in 2015.

The second thing I have to say is that this is a children’s book that will probably appeal just as much to adults.

Monsters…it’s an evocative title. When we’re told that this story focuses on two children you would never want to meet it seems they are the monsters referred to. Our female narrator has a morbid fascination with murders, and Miles is a sociopath whose macabre behaviour hints at something very odd going  on under the surface. However, things are not quite as clear-cut as they seem – and thought they’re not particularly likeable characters, I came to feel something akin to sympathy for our narrator which made me rethink exactly who the monsters of the title were.

The two children meet when they both end up in the same seaside town for their summer holidays. Our narrator spends every summer in the hotel belonging to her aunt and abusive uncle, and Miles is on holiday with his overbearing mother (whose relationship with Miles appears to owe a lot to that of Norman Bates and his mother). When bodies start to appear in the otherwise quiet town, it seems a serial killer is at large and the two children are desperate to investigate further. It is inevitable that they will get themselves into trouble.

The cover drew me to this initially…and it sounded vaguely creepy, but in the style of ‘A Series of Unfortunate Events. It was certainly creepy, but nothing had prepared me for just how darkly humorous this was. This might not sit easily with some readers, as the humour to be found in a book about murder- where animals are injured and people are treated with casual indifference – is never going to appeal to everyone’s tastes. I have to admit that there were some scenes that had me laughing out loud: the demise of Fuka the cat, the ingenious way in which rival Mary is removed from the annual festival and the judgements on Mr Queen’s artwork to name but a few. Finding such humour in these circumstances might seem odd, but the two children were fascinating in their depiction.

While I was thoroughly enjoying this as I was reading, the ending took it into realms I really wasn’t expecting and which made it go from simply a good read to one that I will be urging people to try. The hypocrisy of our ‘polite society’ -which only comes to the fore with this shocking ending – really left me questioning just who the monsters were.