‘Strangers’ – C.L. Taylor

A well-constructed thriller, that culminates in a tense event, before trying to tie everything up in a way that had me shaking my head.
Our three main characters – Ursula, Gareth and Alice – are strangers. They exist on the periphery of one another, and are connected though we don’t learn how until late on.
Each of these three has something impacting on their life. Ursula blames herself for the death of her boyfriend. Gareth is struggling to cope with caring for his mother. Alice is a mother trying to start dating again. We follow them through the small steps they make to move forward, but little things start taking place that have us suspicious as to what exactly is going on. In the background are rumours of a serial killer murdering lone men on the riverbank – though this is very much a minor detail.
Much of the action takes place in the homes of the three characters, or the shopping centre in Bristol that ties them together. We grow to learn a lot about each character. Though they may not be all that likeable in some ways, what we learn about them does impact on how we react to each.
As events progress we start to piece together little details. The growing sense of unease ratchets up the tension, eventually leading us to the ‘big finale’ where a number of key questions are resolved.
While I found myself totally caught up in the story I felt less as we neared the conclusion. Some of the actions felt quite unlikely based on what we knew of the characters, and the need to resolve every little detail (yes, I’m talking about the seemingly minor background plot detail of the disappearing men) did mean we were suddenly dropped into something that made little sense. Perhaps this was felt necessary to tie up loose ends, but it made me rethink some of what I’d read and, personally, I could have left events with this never being explained more fully.
Thanks to NetGalley for allowing me to read this prior to publication.

 

‘Grace is Gone’ – Emily Elgar

While this begins slowly, it soon picks up pace and becomes a fascinating read. Thanks to NetGalley for allowing me to read it prior to publication.

The story focuses on what happens when Meg, a much-loved local woman, is found murdered in her home. Her daughter, Grace, is missing and so begins a tense hunt to discover what happened to her and try to find her alive.

Watching this story unfold is a journalist called Jon who seems unhealthily interested in this story. As we follow him through his day, we learn why. This family is known to him. Things between them didn’t end amicably years earlier when Jon interviewed them and suggested Meg’s ex should not have been cut out of Grace’s life in the way he was. With Simon, Grace’s dad, the prime suspect for this kidnapping we guess it’s only a matter of time until we find the truth.

Simon is, eventually, found. He refuses to cooperate with the police, but asks to talk to Jon. Breaking with protocol, focused only on getting Grace back safely, this is allowed. And so begins a tale stranger than any you could invent.

Not knowing crucial information is essential to the success of the book. Whatever our views of the characters involved, it certainly raises interesting questions about criminality and human behaviour. The ending is ambiguous, and this definitely encourages us to reflect on the information we have been given and consider what we would do with it.

 

‘Eight Perfect Murders’ – Peter Swanson

Malcolm Kershaw – bookstore worker, widow and suspect in a series of murders. At least that’s what we’re led to believe initially.

Malcolm narrates his story, and it’s clear we’re not being told everything. The question is, what’s being hidden and why? When an FBI agent asks to speak with Mal in connection to a series of murders we’re immediately intrigued. There seems to be a link between a number of deaths and a blog post written some years ago by Mal called Eight Perfect Murders. Someone appears to be using the list to carry out their own killing spree.

While the initial idea seems rather far-fetched, we slowly learn further details that indicates there is indeed a link. We also get told by Mal himself that he’s hiding things. The details he does give us mean we have developed a sense of trust and I certainly didn’t want to think badly of him.

As the story develops little details are revealed that start to affect the way we regard Mal. His actions become increasingly strange, and it’s evident that there’s twists coming…but it’s all about working out why and when this info is given.

It’s hard to say more without inadvertently revealing details that are crucial to the book’s success. While I’d not read all the books mentioned on the list, the literary link was appealing and Mal – though evidently not quite the good guy I had him pegged as initially – has a rather mercurial charm. By the notional end I felt rather disappointed that things were going to go that way.

A huge thanks to NetGalley for providing me with this in exchange for my thoughts.

 

‘The Guest List’ – Lydia Foley

Will Slater, TV star of a survival show, is due to marry Jules Keegan on a remote Irish island. The two look perfect together, and Jules is – with the help of her sister, best friend and the wedding planner – determined to make this day special.

We start by being introduced to the dramatic moment when a body is discovered on the night of the wedding. We’re not told who, and I assumed it would be a fairly straight-forward ‘whodunnit’.

Immediately after this dramatic announcement we are introduced to some of the key characters of the story. As we learn a little more about each character we realise that many of them are harbouring secrets, and we do realise that a number of characters have good reason to want Will dead.

As the story progresses it was fascinating to see the menace such an isolated setting could generate. The cast of characters were flawed in many ways, and yet it was not until quite late on that we actually got answers as to how certain stories and events linked.

While the story was told in a way that kept you guessing I can’t help but feel that the ending all got wrapped up just a little too quickly.

 

‘In the Clearing’ – J.P. Pomare

I was able to read In the Clearing thanks to Secret Readers, and this is a book I will definitely recommend.

We have two clear voices telling the majority of the story. There’s a young girl called Amy who we can see is part of a cult and she recounts some of the abuses and brainwashing she endures at the hands of those she calls family. And then there’s Freya, a woman who hints at a traumatic past, who lives with her young son Billy. A familiar face from Freya’s past pops up, and somehow we know these events are connected but aren’t sure how.

As the story progresses I was quite horrified by the details we’re given about life in The Clearing and the way this group is organised. This is not comfortable reading.

Freya herself is not a particularly easy character to empathise with. Abrasive and, at times, her own worst enemy. However, when her son disappears we start to sense there is more to come.

What I was struck by was the way in which the various strands come together. I genuinely did not see some of these links, and the ending gave me serious goosebumps as I can only imagine where this might go.

 

‘The Escape Room’ – Megan Gouldin

Perhaps there’s a small part of me that wants to intensely dislike one of our main characters, but once we learn what she’s actually done there was a part of me that shook my head in admiration and felt rather pleased for her, even though she’s not someone I found particularly likeable.

The construction of this book was so interesting.

We begin with a prologue that tells us how everything is going to end. A security man in an office building hears what he thinks is a series of gunshots. Nobody else is meant to be in the office, so he immediately calls the police. They don’t take him seriously…until they arrive to find an elevator with four people inside – three of whom are dead – and a lot of blood. Of course we have questions!

The focus then shifts to thirty odd hours previously where the four people found in the lift arrive at this building for what they think is a training exercise…an escape room task to help them bond. It sounds a ridiculous premise for a Friday evening, but as we delve into their moments in the lift and learn about them/their work on Wall Street for a highly successful company, it doesn’t sound quite so unfeasible.

Alongside the account of the time in the lift, which slowly uncovers the animosity between these characters, we have the narrative of another worker in the company – Sarah Hall – who joined them not long before this event. We are shown some of the daily life of such high-profile workers. It is brutal. None of the characters we meet – including Sarah – are particularly likeable. They may not have always been so selfish, but this environment brings out the worst in them. Without batting an eyelid they will spend thousands, because to them it is nothing. Vacuous, greedy and ready to stab someone in the back without hesitation these people are not people we are encouraged to feel sympathy for.

Yet for some on the periphery of this experience, this environment is not about money and selfish desires being fulfilled. Rather, it is an intellectual challenge…but such naivety cannot last in this environment.

As we slowly piece together the reality of the elevator setting and the background to each of these characters I found myself desperately hoping that someone would come out of this looking remotely good. While there is a definite murkiness to this resolution, I found myself feeling it could be justified. And for me that juxtaposition between what we know to be right and what we convince ourselves is acceptable lies at the heart of this fast-paced thriller.

 

‘Pretty Girls’ – Karin Slaughter

Being a little squeamish I was unsure how I’d cope with the graphic violence talked about here. The subject matter was never going to be fun…and I wondered why I’d picked this up. However, I’m pleased I did.

There’s a fine line between graphic violence for illustrating an aspect of character/plot and titillation. Maybe some of the details being absent would have made very little difference, but I certainly didn’t feel we were meant to find anything appealing about what was put in front of us.

The story is one spanning a number of years. It focuses on the disappearance of Julia Correll and the effects on her family. We see, years later, another young girl disappear and there seem to be similarities in the cases. Julia’s sister, Claire, is a key character -and we see her life unravel in front of us as she realises the extent to which she has been manipulated by someone close to her.

Few could imagine being in the kind of scenario described here. The developing relationship between Claire and her surviving sister was a positive aspect of a rather grim story. Not one to enjoy, but I certainly admired the construction of this.

 

‘Haven’t They Grown’ – Sophie Hannah

If there’s one thing Sophie Hannah can do well, it’s create a scenario where you know something is going to be revealed to shock you…and be totally amazed when we see what happens.

Beth is a fairly typical mother of teenagers-busy, a little stressed and trying to squeeze things into the time she has available. When we first meet Beth she’s taking her son to a football game, via a detour to the last known address of her ex-friend Flora. She watches the house and sees her ex-friend in the driveway, calling to her children. Nothing unusual there…except when the children come out of the car they look exactly the same as they did twelve years ago.

Now, the moment we see this my brain went into overdrive trying to work out what on earth was happening. Was Beth mad? Was there some weird supernatural element to the story? Could there be any rational explanation for this sight?

Many people might have walked away from such a scenario, figuring that there was a reason for the two families not keeping in contact. Thankfully Beth is a little more dogged than most. No matter how crazy she feels, she has an intuition that there’s more to this story.

Thus starts one of the strangest books I’ve read in a while.

There’s a lot about this story that makes no rational sense. Few people would pursue this trying to work out what has happened. Once we start to get answers drip-fed to us I couldn’t fathom why someone would even contemplate such action, and when the true extent of the subterfuge is revealed I felt somewhat sickened.

While we might feel somewhat ambivalent towards Beth, by the end of the story we can see why she does pursue the truth and perhaps even applaud her actions.

 

‘City of the Lost’ – Kelley Armstrong

A highly entertaining, if somewhat unusual, read.

Casey made some poor choices when she was younger. She suffered a brutal attack when her boyfriend was threatened for selling drugs on someone else’s turf. Abandoned by her boyfriend Casey endures an awful assault. Eventually she gets her own back and kills a man.

The guilt over her actions never goes away, even though she trains as a detective. Her best friend, Diane, has been with her throughout and has her own problems…an abusive ex. When things get too uncomfortable, plans are made to escape to a place few know about. A place where people can start afresh. A place where everyone is hiding something. Rockton.

Casey is there as a new detective. She’s not sure why she’s needed and then learns there’s been a number of unexplained deaths. Body parts found, and signs that someone dangerous is causing problems. Having thought she was finding a safe place, Casey starts to think Rockton is a lot more serious.

The story started quickly and there’s plenty of action. We get lots of characters who we dig into and learn about. There’s a mysterious group in charge who definitely know more about some disreputable situations than they ought to. And there’s a romance, of sorts, as Casey grows closer to someone who’s got their own reasons for wanting Rockton kept safe.

 

‘A Window Breaks’ – C.M. Ewan

How far would you go to protect your family? Hopefully, this is something you will never have to worry about.

Our main characters are a family who have suffered more than anyone should have to. Their eldest child, a sixteen year old boy, was killed recently when he took the car without permission, crashing and killing both himself and his girlfriend. Only a week before the start of the book, the surviving family members are attacked as they leave a work event. Daughter, Holly, is attacked and the family are struggling to pick up the pieces. When boss, Lionel, offers them the use of his Highland Lodge to get away for a while it sounds like a perfect opportunity.

The first night they are there, the adults are woken by the sound of breaking glass. Unsettling, and at first we put their reactions down to nerves following recent experiences. But then they hear more noises and see men downstairs. They’ve come prepared. But, for what?

Tom and Rachel then begin a tense cat-and-mouse hunt. They take their child and try to escape-but every attempt is thwarted.

While the initial set-up was great, from this point on it became exaggerated to the point of losing my interest. We wanted to know who these people were, and find out what secrets Rachel and Tom were keeping. We got no answers…just a repetitive cycle of hide, almost found, escape…

As we start to creep closer to answers things take a more gruesome turn. In light of the actual details, this seemed too much to believe. The snippets of son Michael’s last moments did make more sense. Certain characters seemed to grow into quite unbelievable caricatures…but perhaps this is a natural result of circumstance and having the opportunity to do something about it.

By the end I was relieved with certain events, but can’t help but feel this was all rather over-the-top.

Thanks to NetGalley for allowing me the opportunity to read this prior to publication.