
‘The Wife Upstairs’ – Rachel Hawkins



The Last Thing to Burn is a book that will haunt me. Will Dean has written a book that I read with an increasing feeling of sickness and disgust, but was deeply touched by the hope and strength of spirit shown by the female characters.
Our main character is ‘Jane’, who when we are introduced to her in the opening chapter sounds like a young child. She is running away from the farm where she lives with Len, and it quickly becomes clear that things are not at all as they seemed.
‘Jane’ is a Vietnamese woman, trapped in a hostile environment. Lured to Britain under the promise of a better life, she has been held captive and forced to endure the kind of life that nobody deserves or should have to live.
Watching the emotional and physical abuse this woman was subject to was awful. It was very clear why she did not try to escape, but I spent most of the book imagining just what it might take for her to snap and decide the risk was worth it.
Viewing events through Than’s eyes I was filled with horror that such events could ever occur. When she is forced to become privy to another woman being taken prisoner, it felt as if I was watching a dry tinderbox waiting for the match to be lit and send everything up in flames.
Her situation alone was bad enough, but once she becomes a mother it felt as if it were only a matter of time before something snapped. That was, indeed, the case and what transpired towards the end was bleak, though it gave some semblance of hope. It was certainly testimony to the strength of the human spirit.
Thanks to the publishers and NetGalley for allowing me to read this prior to publication. Highly recommended.

Flora is a character who does not make things easy for herself. Headstrong and incredibly stubborn, she has a tendency to pursue her own ideas without really thinking about how her actions might impact on others.
When we’re first introduced to Flora her character is established quite quickly. She is bisexual, fancies herself as a detective and seems to have a tendency to get herself into hot water. She has not been the same since she went for a run and came across the dead body of a fellow student. Now, some time later, she gets caught up in a potentially dangerous case.
It begins when an ex calls her asking for help. Upon arriving at the place she is supposed to meet Ava, Flora discovers her almost dead on the floor. The police want to write it off as a mugging but Flora is convinced there’s more to it.
What follows is totally unrealistic, quite entertaining and happens at breakneck speed. We’re taken to underground fight clubs, risky encounters and someone who’s determined to keep their secrets at whatever cost. Full of good intentions, Flora puts her life – and the health of those closest to her – at risk.
Good fun, but definitely not to be taken too seriously.

From the outset – and the references to her suggest this was intentional – Whisper Island reminded me of Agatha Christie’s And Then There Were None. The remote island setting, a group thrown together, mysterious deaths and secrets. While it might not have quite lived up to that book, it was definitely a good read.
Our focus is a group of fairly unlikeable friends. We can see immediately that they each have secrets and are using this trip to Whisper Island to escape something. The lack of detail here was necessary, and though it was frustrating to not really get beneath the surface of these characters it was important for the story that we didn’t know too much too soon.
Once the group arrive on this run-down island it’s obvious that this isn’t quite the luxury idyll they had been expecting. The discovery of a skull and then some gruesome deaths had this teetering close to the edge of credible (though this may have been more because of the pacing of the story). The behaviour of the group once they start to get picked off is meant to show their rising fear, but it was rather more reminiscent of every over-the-top horror movie known.
While I didn’t feel that concerned by the events of the book, it was clear that those involved were more affected by things than they initially let on. As with most of these scenarios, things may have been different if people took responsibility for their actions. The story wouldn’t have been as much fun though!
Thanks to NetGalley for allowing me to read this prior to its scheduled February publication. I’m looking forward to recommending this to some of my students.

Thanks to NetGalley for granting me access to this before its publication in January 2021. Unsettling but riveting, and while elements of this were tough to read the overall impact is powerful.
The story focuses on single mother Jack Brooks, a vicar, and her daughter. After an awful incident involving one of her parishioners Jack is troubled, and the Church is unsure how to support her. Their answer is to pack Jack off to Chapel Croft, a temporary placement in a small Sussex village. This village has a long and troubled history, and from their first day in the village it is evident that this place harbours many secrets.
As we follow Jack in her role we are given a number of clues about her mysterious past. She has her own secrets, and has had her own share of troubling experiences. We don’t learn the exact nature of these until later…but there’s little hints and I was desperate to know how her story tied in with that of the mystery voice – a character recently released from prison who we know has committed awful acts and for reasons we’re not sure of wants to find Jack.
The focus on Jack’s mystery was certainly intriguing, but the historical focus of the Sussex Martyrs and the two village girls who disappeared years earlier was just as interesting. The previous vicar had spent time investigating these incidents, and there’s lots of clues given as to what happened though the significance of certain details isn’t pertinent until later. The body count was surprisingly high, and I can only imagine the fun Tudor had planning this and working out how to combine elements of a number of story threads.
I don’t want to say more in case of revealing certain plot details that are best learned at the point Tudor chooses to reveal them. Suffice to say, if you enjoyed her other novels this will probably go down well. There are some elements of the story that aren’t fully resolved and yet this ambiguity – for me, anyway – showed all too clearly how the boundaries between evil and horror can blur.


Though her production of the lost Ben Jonson play went well, Greer is focused on the trial by the order of the Great Stag that she was forced to endure. She remains convinced Henry is alive but nobody believes her. So, what to do?
Returning to school Greer knows she cannot let Ty deal with her fears alone. She will, once more, have to go into the proverbial lion’s den and work out how all these elements fit.
It’s not particularly pacy at the start but I loved the mystery to this as Greer tries to work out the significance of the fox and how it fits with the plans others have.
The characters of Henry’s parents were privileged and quite unaware of their behaviour, but we can see so many endorse this set-up through their own unwillingness to act.
The blending of historical fact and storytelling worked so well in this. Informative and entertaining. While we can see things moving on, there’s signs that it’s not over yet.

Sometimes people are running away from things, and they’re not always honest about their reasons.
In this true-crime/mystery we follow our main character Sera as she decides to leave her life and go to solve a mystery she has become obsessed with…that of Rachel, a true-crime podcaster who has disappeared.
Sera finds herself in a remote ranch working under Rachel’s parents. Nobody wants to talk about Rachel and nobody seems willing to offer any clues as to what might have happened.
With her imagination running riot Sera starts to unravel. She is struggling with the effect of her miscarriage and divorce, and is just as lost as the other girls mentioned.
The podcast seemed as if it would be more important, and yet there were hints it was used to help our killer find their victims.
We get answers…though these are not always what we expected.
Thanks to the publishers for the ARC. An intriguing idea.

This series doesn’t seem to have grabbed everyone, but I enjoyed the first part of the series (however ridiculous the scenario seemed) and this more than delivered.
Trying to come to terms with her role in Henry’s death, Greer is back at S.T.A.G.S and needing something to bolster her chances of getting into Oxford. She doesn’t question the timing of events, but we are very suspicious when the first Act of a lost Ben Jonson play is put under her door. Greer is intrigued by the idea of putting on something thought to be so dangerous that it closed the theatres.
Before we know it we are following the preparations for this play, and – of course – things are inextricably linked to Longcross and Henry’s family. We know someone has secrets, and we can’t help but wonder just how this play fits with our current story.
I loved the feeling of a story within a story, and yet we still have a sense of Greer’s story developing in ways that perfectly blend a sense of threat with excitement. It wasn’t clear just who was hiding what, and even at the end there’s a murkiness to this that suggests our understanding of the Order and the threat they pose has more layers to reveal.
I can’t wait to read the final part.

Girl A is not an easy read, but it’s a fascinating one – and on e I will recommend people get their hands on when it’s published (due January 2021).
At the age of fifteen our main character, Lex, fled her home – dubbed the ‘House of Horrors’ by the press – and then people learn the shocking truth about her home life. Now a successful lawyer, Lex has some understandable issues and things she does to protect herself from the trauma she lived through. These become more apparent when she is asked to be the executor of her mother’s will.As Lex deals with the realities of managing an estate of someone who was complicit in her suffering years of neglect and abuse, we see her fracture.
Alongside the focus on Lex in her present, we also learn of the gradual decline in her family situation which, ultimately, resulted in the deaths of some of her siblings and their enduring mental and emotional scars. It’s hard to feel sympathy for the adults in this, but there is an attempt to help us to understand the way this situation developed and to get into the head of the main perpetrators.
I was pleased that the author chose to not dwell on the abuse hinted at. Seen through Lex’s eyes it seemed to be a way of trying to come to terms with her feelings for those she’s interacting with now. While I came to admire Alex’s resolve and courage, it was clear that she was a long way from okay. Her relationship with her older brother, Ethan, was a difficult one and only felt more fragile once we learned of his role in events.
I’m grateful to NetGalley for granting me access to this in advance of publication, and while it’s not a pleasant read it is definitely highly recommended.