‘The Mystery of Mrs Christie’ – Marie Benedict

Agatha Christie is one of those authors that I know very little of. I’m aware that she had links to the village I now live in, and I’ve thoroughly enjoyed the stories by her that I’ve read. However, perhaps because of the time she lived in I am not particularly aware of any biographical details of her life.

I did not know that she actually disappeared for eleven days in 1926, so of course the idea behind this book had me interested.

Initially, I found myself wholly engaged. We follow the story through Agatha’s eyes of her meeting with Colonel Archibald Christie. The two developed what could best be described as an infatuation and it appears to be a wholly romantic story. For this reason I found it fascinating that the narrative was interspersed with the story told through Archie’s eyes of the days following his wife’s disappearance. This paints quite a different picture, and clearly depicts a relationship in turmoil with both parties determined to get their own way.

The story was fine, though as we neared the end it started to feel a little slow. As readers we knew from the start that Agatha was in control of this scenario, and it was frustrating to wait for the rest of the world to catch up.

When I summarised the story for my husband he said ‘like Gone Girl’. That manipulation and careful orchestration of people to lead a plan through its stages of execution definitely wasn’t lost on me. Neither Agatha nor Archie came out of this particularly well. They both seemed inherently selfish, and yet I couldn’t help but admire Agatha for having the ability to strategise at such a tumultuous time.

 

‘The Wife Upstairs’ – Rachel Hawkins

Much as I love Jane Eyre, there are elements within that never quite sit right with me. I often wondered why Jane didn’t show the strength of will and defiance of expectations to really push the boat and do something truly shocking at the end. The whole mad wife in the attic scenario lent a more sympathetic portrayal to Rochester than he perhaps deserved. Yet it’s a book that I deeply enjoy, and I was more than a little nervous when I realised The Wife Upstairs was transposing many of these elements to a modern setting.
Having now finished the book I have to say I really enjoyed it as a concept.
In our version, Jane is running from her past but she is now a dog walker in an exclusive neighbourhood as she tries to find her way into the life she craves. We follow her interior monologue, so we know she has more than her fair share of secrets and that she is just as happy to manipulate someone if it suits her. For this reason, I found myself feeling less concerned for Jane’s welfare than I did in the original. She makes some silly choices and fails to see some potential issues that she really should have factored in.
Our Mr Rochester is Eddie, a charismatic man who is having to live with the mysterious disappearance of his wife, Bea. Neighbourhood gossip reveals a little more to this story than Jane was told, and it was pretty obvious that we would be watching this story unravel over time.
There are, perhaps of necessity, some changes to the original ‘Jane Eyre’ and these do work fairly well. If you read this with no knowledge of the text then you have a great thriller with some well-timed reveals and shocks. Even with those with knowledge of the text won’t be disappointed. I confess to waiting for some of the ‘twists’, but there are still surprises. I also really liked the ambiguity of the ending, which leaves us – and Jane – in a rather difficult position.

‘Plain Bad Heroines’ – Emily Danforth

I had seen reviews of this on NetGalley, and could not believe the UK release was so long after the US one…so I requested the audiobook on NetGalley, and when I was sent an ARC I jumped straight in.

I listened to the opening with such a sense of anticipation, and found myself captivated but also repulsed by the opening. Our story begins in 1902, with Flo and Clara – two young students of Brookhants School for Girls who have a shared fascination with a scandalous book. Unfortunately, their story ends abruptly, and in ways too horrific to dwell on. I dislike intensely the thought of being stung, so this was a particularly macabre scene with which to open the novel…though the story definitely intrigued me.

I soon found my tendency to read a couple of books at the same time, and my relative unfamiliarity with audiobooks, meant that I soon found myself totally lost by this. The shifting perspectives and chronology is one of the strengths of the story – having now finished it, I am in awe at how cleverly constructed this is – but trying to listen to it in short bursts with gaps in-between was not working out. It got set aside until I knew I could do it justice.

Finding myself with the arduous task of stripping a bathroom, what more excuse could I find but to try and use the time wisely? Back to it…

Second time round – and actually listening to it for hours at a time over two days – meant I found myself immersed in the story from the outset. Listening to/reading the stories surrounding Brookhants School for Girls and its mysterious ‘curse’ was a joy.

In the publicity material we are told that this is a story of parts – queer love story, Gothic horror and Hollywood satire. The focus is on a number of stories tied to Brookhants over time: that of Libby Brookhants and her lover, Alex; poor Flora and Cara and, lastly, Harper Harper and Audrey. The one thing that unites these three stories is the mysterious Brrokhants School for Girls and the scandalous memoir that seems to hold the key to the purported curse.

I don’t want to say too much because Danforth reveals all, and the way she chooses to do this gave me physical chills. I never felt as if I could tell exactly what was happening, and the events unfolding – in whichever timeline we were focused on – were beautifully described. The narrator on the audiobook gave a different perspective on the experience, and this is certainly a book I will have to physically read too.

A huge thank you to the publishers Harper Collins and NetGalley for granting me access to this prior to its release.

 

‘People Like Her’ – Ellery Lloyd

 

People Like Her is meant to be a timely reminder to consider the role played in our lives by social media. How far does it impact on us? To what extent does it influence our behaviour? Pertinent questions, but this book – sadly – didn’t really hit the mark for me.

Our main character, Emmy, is a popular internet phenomenon. The face behind ‘mamabare’, Emmy lays her life out for public scrutiny. She courts fame, purely to achieve more likes, and this is a lifestyle that more than pays the bills. Making a life out of selling your family might not make sense to many, but everyone will have experience of social media. We all have opinions on online presence, and how far is too far. For this reason I can see the book tapping into a fairly large audience.

Though the book begins slowly as we’re introduced to our couple, it shifts by the end into a much more dramatic affair. From early on we are aware that someone is unhappy with Emmy and wants her to pay for a perceived slight. They are a threat, but how do you ward off threats when they are safe behind a veil of anonymity?

Unfortunately, the character of Emmy was problematic for me. Initially she seems somewhat dizzy, a little naive and determined to milk her cash cow while she could. There was little to really encourage me to empathise with her as everything she did was about her public profile. When she is under serious threat I felt for her, and yet she had acted with such callousness towards those she claimed to care for that I struggled to not blame her a little for what happened. Victim blaming is never going to be a good thing, but it’s so hard not to do that with Emmy that I fear this will ensure some of the comments raised by this book will miss their mark.

Another problem character for me was husband, Dan. A writer in name, who seems to actually do very little, he infuriated me. He seemed to have reservations about this venture, but never took steps to challenge it. What little action he took to offset the influence held by his wife’s job was ineffective, and his final action was – perhaps – even more cynical than those we’d been encouraged to criticise in his wife. Yes, he helps resolve things…but what he does at the end suggests that the influence of the media is more insidious than we might think.

Thanks to NetGalley and Pan Macmillan for granting me access to this prior to publication in exchange for an honest review. I’m convinced this will be lapped up by many, but the cynicism shown by our characters left me without the requisite sympathy I feel was needed to make this wholly successful.

‘The Last Thing to Burn’ – Will Dean

 

The Last Thing to Burn is a book that will haunt me. Will Dean has written a book that I read with an increasing feeling of sickness and disgust, but was deeply touched by the hope and strength of spirit shown by the female characters.
Our main character is ‘Jane’, who when we are introduced to her in the opening chapter sounds like a young child. She is running away from the farm where she lives with Len, and it quickly becomes clear that things are not at all as they seemed.

‘Jane’ is a Vietnamese woman, trapped in a hostile environment. Lured to Britain under the promise of a better life, she has been held captive and forced to endure the kind of life that nobody deserves or should have to live.

Watching the emotional and physical abuse this woman was subject to was awful. It was very clear why she did not try to escape, but I spent most of the book imagining just what it might take for her to snap and decide the risk was worth it.

Viewing events through Than’s eyes I was filled with horror that such events could ever occur. When she is forced to become privy to another woman being taken prisoner, it felt as if I was watching a dry tinderbox waiting for the match to be lit and send everything up in flames.

Her situation alone was bad enough, but once she becomes a mother it felt as if it were only a matter of time before something snapped. That was, indeed, the case and what transpired towards the end was bleak, though it gave some semblance of hope. It was certainly testimony to the strength of the human spirit.

Thanks to the publishers and NetGalley for allowing me to read this prior to publication. Highly recommended.

‘You’re Next’ – Kylie Schachte

Flora is a character who does not make things easy for herself. Headstrong and incredibly stubborn, she has a tendency to pursue her own ideas without really thinking about how her actions might impact on others.

When we’re first introduced to Flora her character is established quite quickly. She is bisexual, fancies herself as a detective and seems to have a tendency to get herself into hot water. She has not been the same since she went for a run and came across the dead body of a fellow student. Now, some time later, she gets caught up in a potentially dangerous case.

It begins when an ex calls her asking for help. Upon arriving at the place she is supposed to meet Ava, Flora discovers her almost dead on the floor. The police want to write it off as a mugging but Flora is convinced there’s more to it.

What follows is totally unrealistic, quite entertaining and happens at breakneck speed. We’re taken to underground fight clubs, risky encounters and someone who’s determined to keep their secrets at whatever cost. Full of good intentions, Flora puts her life – and the health of those closest to her – at risk.

Good fun, but definitely not to be taken too seriously.

 

‘Whisper Island’ – Carissa Ann Lynch

From the outset – and the references to her suggest this was intentional – Whisper Island reminded me of Agatha Christie’s And Then There Were None. The remote island setting, a group thrown together, mysterious deaths and secrets. While it might not have quite lived up to that book, it was definitely a good read.

Our focus is a group of fairly unlikeable friends. We can see immediately that they each have secrets and are using this trip to Whisper Island to escape something. The lack of detail here was necessary, and though it was frustrating to not really get beneath the surface of these characters it was important for the story that we didn’t know too much too soon.

Once the group arrive on this run-down island it’s obvious that this isn’t quite the luxury idyll they had been expecting. The discovery of a skull and then some gruesome deaths had this teetering close to the edge of credible (though this may have been more because of the pacing of the story). The behaviour of the group once they start to get picked off is meant to show their rising fear, but it was rather more reminiscent of every over-the-top horror movie known.

While I didn’t feel that concerned by the events of the book, it was clear that those involved were more affected by things than they initially let on. As with most of these scenarios, things may have been different if people took responsibility for their actions. The story wouldn’t have been as much fun though!

Thanks to NetGalley for allowing me to read this prior to its scheduled February publication. I’m looking forward to recommending this to some of my students.

‘The Burning Girls’ – C.J. Tudor

Thanks to NetGalley for granting me access to this before its publication in January 2021. Unsettling but riveting, and while elements of this were tough to read the overall impact is powerful.

The story focuses on single mother Jack Brooks, a vicar, and her daughter. After an awful incident involving one of her parishioners Jack is troubled, and the Church is unsure how to support her. Their answer is to pack Jack off to Chapel Croft, a temporary placement in a small Sussex village. This village has a long and troubled history, and from their first day in the village it is evident that this place harbours many secrets.

As we follow Jack in her role we are given a number of clues about her mysterious past. She has her own secrets, and has had her own share of troubling experiences. We don’t learn the exact nature of these until later…but there’s little hints and I was desperate to know how her story tied in with that of the mystery voice – a character recently released from prison who we know has committed awful acts and for reasons we’re not sure of wants to find Jack.

The focus on Jack’s mystery was certainly intriguing, but the historical focus of the Sussex Martyrs and the two village girls who disappeared years earlier was just as interesting. The previous vicar had spent time investigating these incidents, and there’s lots of clues given as to what happened though the significance of certain details isn’t pertinent until later. The body count was surprisingly high, and I can only imagine the fun Tudor had planning this and working out how to combine elements of a number of story threads.

I don’t want to say more in case of revealing certain plot details that are best learned at the point Tudor chooses to reveal them. Suffice to say, if you enjoyed her other novels this will probably go down well. There are some elements of the story that aren’t fully resolved and yet this ambiguity – for me, anyway – showed all too clearly how the boundaries between evil and horror can blur.

 

‘F.O.X.E.S.’ – M.A. Bennett

Though her production of the lost Ben Jonson play went well, Greer is focused on the trial by the order of the Great Stag that she was forced to endure. She remains convinced Henry is alive but nobody believes her. So, what to do?

Returning to school Greer knows she cannot let Ty deal with her fears alone. She will, once more, have to go into the proverbial lion’s den and work out how all these elements fit.

It’s not particularly pacy at the start but I loved the mystery to this as Greer tries to work out the significance of the fox and how it fits with the plans others have.

The characters of Henry’s parents were privileged and quite unaware of their behaviour, but we can see so many endorse this set-up through their own unwillingness to act.

The blending of historical fact and storytelling worked so well in this. Informative and entertaining. While we can see things moving on, there’s signs that it’s not over yet.

 

‘If I Disappear’ – Eliza Jane Brazier

Sometimes people are running away from things, and they’re not always honest about their reasons.

In this true-crime/mystery we follow our main character Sera as she decides to leave her life and go to solve a mystery she has become obsessed with…that of Rachel, a true-crime podcaster who has disappeared.

Sera finds herself in a remote ranch working under Rachel’s parents. Nobody wants to talk about Rachel and nobody seems willing to offer any clues as to what might have happened.

With her imagination running riot Sera starts to unravel. She is struggling with the effect of her miscarriage and divorce, and is just as lost as the other girls mentioned.

The podcast seemed as if it would be more important, and yet there were hints it was used to help our killer find their victims.

We get answers…though these are not always what we expected.
Thanks to the publishers for the ARC. An intriguing idea.