Month: January 2022

‘The Couple on Maple Drive’ – Sam Carrington

The book opens with a body being carried out of a house on Maple Drive and someone led out in handcuffs. By the end of the book we know the identity of each of these characters, and have been offered the reasons for it.

Isla and Zach are a relatively new couple. They’ve worked together for a while, and after experiencing a violent mugging Isla has been struggling to cope. Zach has moved in to care for her, but as Isla begins to get flashbacks to the night of her attack she starts to wonder whether Zach might know more than he’s letting on. She enlists the help of a group of true-crime enthusiasts and, from this point on, things happen quickly.

What happened is actually signalled fairly early on. I wondered to what extent we were being toyed with, and whether the reality of the situation was more focused on Isla. While there’s something refreshing about things being as they seemed, it felt odd. I felt duped; expecting something clever but then realising it was exactly what it seemed. This is very much more about my expectations than a problem with the book.

The story began, for me, rather slowly. It seemed to take a while to flesh out Isla’s situation and she was a protagonist that it was difficult to warm to. She made dubious decisions and the rapidity with which things escalated was bizarre.

Much of the story hinges on characters that play a peripheral part in events, and things meld together in a way that is quite incredible. It was hard to reconcile the images we’d been given of certain characters with the reality of their actions. Some elements made little sense.

While I had my issues with the book, this was a pretty solid thriller that offers enough to keep you entertained while reading.

 

‘The Christie Affair’ – Nina de Gramont

Due for release early 2022, I’m grateful to NetGalley for giving me the chance to read this before publication. The Christie Affair focuses us on the imagined story of what happened when the novelist Christie disappeared for a period of eleven days.

Though I was aware of this period in Christie’s story, I didn’t know any details and I found Gramont’s version of events highly entertaining. I had expected the character of Agatha to play more of a key role in the story but I actually found myself caught up in the story of our narrator.

Our narrator, Nan, is a young woman who has been having an affair with Archie Christie. For reasons that become clear later, she is determined to make a future with him. Obviously, the fact he is married makes this difficult. When Agatha is told about the affair she is angry…and the next thing we know, her car is found abandoned by a nearby lake and there is no trace of her. She’s abandoned her daughter, taken little with her and the worst is assumed about her husband.Though at this stage in her life Christie is not the celebrated author she becomes, she’s certainly known well-enough that her disappearance sparks a nationwide manhunt. Archie is under suspicion, and people are determined to find her/learn what happened.

In spite of her being the other woman, Nan is a likeable character who actually seems more central to events than we might expect. As we unearth Nan’s story it’s unclear how much is true, but she certainly knows how to spin a yarn.

Imagined it may be, but this tale of Christie’s missing days was a cracking read.

 

‘The Grimrose Girls’ – Laura Pohl

The Grimrose Girls makes for an interesting story…death, secrets and a boarding school with a history tinged with odd events. When the book begins we learn that Ari, a student at the school, has recently died. The general consensus is that she committed suicide, but her best friends – Yuki, Rory and Ella – are convinced that she would not have done this and there is more to the story.

Upon their return to school the girls decide to try and investigate. They have to broach some dark secrets and try to address some of the things about themselves they would prefer to keep hidden. It’s unclear who can help them and who might have something to gain from keeping them in the dark.

New girl Nani is given Ari’s place in the school and it’s no surprise that she finds it hard to settle. She has her own secrets and is reluctant to trust others. Determined to find out exactly what caused her father to leave before he got her the place at the famed school, Nani offers to help the girls try to discover what happened to Ari.

Once Nani finds a mysterious book the girls start to realise that there are some disturbing links between Ari’s death and other strange deaths of students that have taken place in the last few years.

I enjoyed the natural way in which we learned about each of the girls and the details of the mystery of the school. Some of the finer points of the story weren’t always explained, but I wonder whether this might be because there’s more details to come in the next book.

 

‘The Raptures’ – Jan Carson

Throughout my reading of this book I found myself puzzling as to who I would recommend this to, and what it is actually about. The plot is straightforward, and a little repetitive, but there is so much more to it that will probably stick with readers. I haven’t read anything by Carson before, so don’t know how it compares to her previous work, but it certainly has a lot to recommend it.

The plot centres on the small village of Ballylack in the early 1990s. This dated it rather, particularly as so much of what was happening in the book seemed to resonate with our current experiences of living through a pandemic, but the reactions of characters to what was happening are not date-dependant. We start with a young boy, Ross, succumbing to a mystery illness. He dies and, slowly, others in his class show similar symptoms. One by one, others in his class die and the impact this has on the village and surrounding community is evident. Desperate for answers, we watch as a small community tries to find answers.

Our primary focus is the character of Hannah, one of Ross’s classmates who has always felt like an outsider due to her father’s religious beliefs. Shunned by her classmates, Hannah wonders why she does not appear to be suffering any of the symptoms shown by her peers. Her family try to keep the news of her apparent immunity from her, but Hannah is keeping her own secrets…she can see the dead children and is having conversations with them about how their lives have changed now they are on the other side.

While the nature of the story unravelling is repetitive, I was taken aback by the emotional impact these events had on the families. Each reacted in the way that made sense to them, and this was certainly something that will strike a chord.

The rapture is a theological belief held by some (particularly more evangelical Christians) that supports the view that all believers will, at the end of the world, rise up and be taken to meet Christ. Religious beliefs certainly play a key role in this novel, and I liked the fact that we see a range of attitudes. Hannah’s Grandpa Pete was definitely a character who I felt a lot of sympathy with. Determined to support his family he does what he thinks is the right thing, and this causes its own problems, raising concerns and addressing tensions.

Without giving away spoilers, this was a story that had a clear cause and effect. The exact details of this are not revealed until a lot later in the novel, and I was shocked by the dilemma raised. Once we learned the origins of the illness, I felt this was sidelined which surprised me.

I’m grateful to NetGalley for allowing me the chance to read this before publication.

 

‘Hare House’ – Sally Hinchcliffe

A story that unsettles you, where you’re never quite sure what is behind events and then come to suspect something quite different. As I drew near to the end of the book I was convinced of certain details, only to be surprised by hints that things were quite different.

Hare House is an atmospheric tale, relying on superstition to fully develop the sense of unease. It focuses on a narrator that is definitely unreliable, someone who we are never certain of.

Our unnamed narrator was, as we eventually learn, a teacher in a relatively prestigious girls’ school in London. After an unfortunate incident (which it seems she was more involved in than she wanted to admit) she leaves her post and escapes to a rural home in Scotland. Away from prying eyes she has only her landlord and his younger sister, and the mysterious older neighbour, for company.

As the story progresses we notice odd events taking place. There’s talk of clay models, witchcraft and mysterious things. We’re never entirely sure what is taking place and what’s imagined, or who is responsible. Tensions run high, and not everyone survives the events narrated.

There was a clear sense of the supernatural at play, but it was hard to tell exactly what was happening or who/what was responsible. Many of the issues that caused problems were put down to the behaviour of older single women, and some elements of the story felt too easily linked to existing prejudices.

I’m grateful to NetGalley for giving me the chance to review this in exchange for my honest thoughts.

 

‘PAH’ – Orla Owen

I knew nothing about this before starting it, hadn’t heard of the book/author and I had already bought The Lost Thumb (her first book) before finishing on the strength of my reaction.

PAH is a story that explores relationships, and though our main character is not likeable I couldn’t help but feel sympathy for her.

Susan Brown is a nurse, desperate to escape her life. She alludes to a past that caused discomfort and the details we get (slowly) help us to understand some of her behaviours. Certainly guilty of some dubious conduct, there was a steeliness to Susan’s attempts to get a husband that surprised me.

Watching the interactions between Susan and Jeffrey was difficult. Both very needy and struggling with their own issues, it was hard to see a way out of things for them. The casual violence and disregard for others was alarming, and there were so many examples of this.

The third character, Calton, to feature in the novel always felt slightly off-kilter. Orphaned as a teen, he was placed in a difficult situation and it took a while to work out how the paths of these characters would cross. When they did, I feared what might happen.

Owen has created a character that is so clearly suffering the effects of trauma, seemingly destined to continue such behaviours, but one you can’t help but feel sympathy for and understanding of. Dark, at times incredibly uncomfortable but also fascinating. I have to thank the online book club for putting me on to this.

 

‘The Man in the Brown Suit’ – Agatha Christie

The Man in the Brown Suit is my first foray into the 2022 Christie challenge, and I knew nothing about it before starting.

Our main character is the spirited Anne Bedingfield, a young woman who is not without intelligence and who finds herself firmly embroiled in a mystery like no other, the mystery concerning the man in the brown suit.

After the death of her father Anne finds herself low on funds but determined to make something of herself. When travelling one day she finds herself caught up in some rather unusual events.

A young man, scared by something he has seen, falls onto the rails and is killed. A doctor in a brown suit attempts to help, but Anne soon realises that this mystery man is far more involved than initially suggested.

With the murder of a Russian ballerina at the home of a respected gentleman, Sir Eustace Pedlar, it seems that there is more to this. Rather than walk away, Anne determines to investigate further and finds herself on a boat headed for South Africa.

The story focuses on Anne’s attempts to work out what’s happened, and a lot of to-ing and fro-ing between characters who are not all that they seem. Diamonds, double crossing and attempted murders keep the frantic pace going, although it felt the ending rather fizzled out. However, as a first journey into the Christie back catalogue it wasn’t a bad start.

 

‘Still Life’ – Sarah Winman

The book begins with English soldier Ulysses Temper meeting Evelyn Skinner, an art historian. Their time together in Florence is brief, but there is a connection between them that permeates through much of the novel even though they don’t meet again for years. This relationship serves as a framework for many of the other relationships within the novel.

After the war Ulysses returns to England a changed man. He picks up with those who knew him before the war though everything has changed for them. As the decades pass, we are allowed to see what is happening to each of the characters. Some are, naturally, more engaging than others and there were occasions when I found it hard to establish the exact dynamics between each of the characters.

However, being allowed a glimpse into their lives was – on the whole – a delight.

I found the relationship between Peg and Ulysses rather odd, but their love for one another was evident. Ulysses ends up being bequeathed an inheritance from a man he saved in Florence, and he goes to live there with Peg’s daughter Alys. This section of the book was probably my favourite as we saw the effect place has on people, and how these characters blossomed when pushing themselves to do something different.

While Ulysses is a character whose life engages us throughout, the character I found myself most affected by was Cress. A substitute father-figure, but one whose quiet demeanour hides a lot. Uprooting himself as he did was a surprise, but watching how his life changed when he moved to Italy was beautiful.

Still Life really does read like a novel that each and every reader will have a different reaction to. While there’s lots of events referenced in its pages, the novel is character-led and this might not be to everyone’s tastes. However, the cast of characters is engaging and the minutiae of life captured with ease. The final section outlining Evelyn’s personal love affair with Florence was necessary to explain her for us, but it felt a little too much after the emotional impact of what had just happened.

 

‘The Night Caller’ – Martina Murphy

The Night Caller is a slow-burn thriller, interweaving a standard police procedural with an intriguing character study.

Set in Ireland, we follow our two main characters as they are investigating a murder. A young woman was found, beaten, and the investigation into her death throws up some rather odd facts. Though we don’t learn how until much later, it’s tied to a killing that took place years earlier and some more recent crimes.

I enjoyed learning about Dan and Lucy as we watch them carry out their investigation. They each have their issues, and I can certainly see these being explored further if this is part of a series. While this was interesting, it never became a distraction from the gritty focus of our main story.

As things progressed, I found myself slack-jawed at what was unravelling. The crime and our knowledge of the one responsible was quite unexpected, though the clues are there if you remain alert.

Thanks to NetGalley for allowing me the opportunity to read this before publication in exchange for my review.

 

‘The Blue Book of Nebo’ – Manon Steffan Ross

Told from the viewpoints of Dylan and his mother, we see how they live their lives. Each takes it in turns to write in the little blue book they found in someone’s home, offering their views on the experiences they have.

There was a certain charm to this, and the emphasis on the need for a sense of culture was clear, though little actually happens in terms of plot.

What we are told relatively early on is that there was some kind of nuclear attack some years earlier that appears to have wiped out most of the population. Referred to as The End, Dylan and his mother have had to turn to past knowledge and trial and error to survive. They grow their own food, have learned essential skills and have communication with nobody else since their next-door neighbours left.

The alternating viewpoints offers both a new pair of eyes to reflect on their present and a more adult voice to fill in the gaps and offer insight into what happened/how it impacted. It felt rather sanitised, and though some unpleasant things have evidently happened the level of detail offered is not quite as I expected.

I wonder how different this would have been to read in the original Welsh. It was interesting to have some focus on the Welsh language, but I’m not really sure what we’re meant to take from this.

Thanks to NetGalley for allowing me the opportunity to read this before publication (though I’m sorry not to have got to it sooner).