Cat Winters is one of those authors who seems to delight in the macabre and unusual…I’ve enjoyed every one of the novels by her that I’ve written, and this is another hit in my mind.
Seventeen-year-old Edgar Poe counts down the days until he can escape his foster family—the wealthy Allans of Richmond, Virginia. He hungers for his upcoming life as a student at the prestigious new university, almost as much as he longs to marry his beloved Elmira Royster. However, on the brink of his departure, all his plans go awry when a macabre Muse named Lenore appears to him. Muses are frightful creatures that lead Artists down a path of ruin and disgrace, and no respectable person could possibly understand or accept them. But Lenore steps out of the shadows with one request: “Let them see me!”
Following the life of Edgar Allan Poe, this is clearly based on meticulous research but with a wonderfully macabre style that pays homage to Poe’s writing.
Poe at seventeen is about to head to university. He wants to write, but is discouraged by his foster father. Poe tries to ignore his dark muse, Lenore, but we see him struggle with his passions and interests as he adjusts to life as a student. Spiralling debts burden him and Poe cannot bear to abandon the one thing that gives him pleasure though it leaves him open to criticism.
For those familiar with his writing/life I imagine this will add another rich layer, but it’s a fascinating story regardless.
Thanks to NetGalley for allowing me access prior to publication and to Cat Winters for her quirky imaginative style being let loose on such a rich topic.
1814: Mary Godwin, the sixteen-year-old daughter of radical socialist and feminist writers, runs away with a dangerously charming young poet – Percy Bysshe Shelley. From there, the two young lovers travel a Europe in the throes of revolutionary change, through high and low society, tragedy and passion, where they will be drawn into the orbit of the mad and bad Lord Byron.
But Mary and Percy are not alone: they bring Jane, Mary’s young step-sister. And she knows the biggest secrets of them all . . .
Told from Mary and Jane’s perspectives, Monsters is a novel about radical ideas, rule-breaking love, dangerous Romantics, and the creation of the greatest Gothic novel of them all: Frankenstein
Thank you to NetGalley for providing me access to such a complex and fascinating read.
Some of the stories surrounding Frankenstein are well-known, and I admit to finding the book at its most absorbing when it focused on the events of this time. However, in this we have an imagined account of the life of Mary Goodwin, her lover Percy Bysshe Shelley and a character I’d never heard of – half-sister Jane/Claire.
Initially the book felt slow in approach. A meticulous and, at times, off-putting focus on the build-up to the relationship between these evidently fascinating characters. There’s a clear sense of the time and beliefs around these characters being brought to life. It was definitely interesting to see how their lives may have intertwined and linked.
While the story was fascinating, I found myself intensely irritated by Shelley and the selfishness with which he acted. The attempt to show his appeal and positive traits is clear, but it didn’t quite succeed.
A feminist re-imagining of the Snow White tale and, though a little slow to draw us in, it was a beautifully told story.
We’re told this story from alternating perspectives – Mina (a girl whose heart is made of glass and who’s shunned by everyone because of her magician father) and Lynet (a princess made of snow who is destined to rule, but who wants nothing more than to be loved) – and this allows us to develop an understanding of each character, lending a subtlety to their portrayal that I felt was intriguing.
Initially it takes a bit of time to establish the time-frame for each character. Mina, however, becomes stepmother to Lynet and it was lovely to see how they learn to trust themselves and each other.
I was a little unsure of my feelings towards this initially, but as the characters come into their own I was rooting for each and hoping for a better outcome than that which seemed inevitable.
More than a hundred years ago, a boy named Samkad thinks he knows everything about the world. He knows the mountains he lives in. He knows his people. He knows his blood enemy, the Mangili. And he wants to become a man, to be given his own shield, spear and axe to fight with. His best friend, Luki, wants all the same things – but she is a girl, and no girl has ever become a warrior.
But everything changes when a new boy arrives in the village. He calls himself Samkad’s brother, yet he knows nothing of the ways of the mountain. And he brings news of a people called ‘Americans’, who are bringing war and destruction right to his home . . .
Another book that I picked up with little knowledge, other than it’s on the long-list for the Carnegie 2019 Award.
Gourlay talks of trying to bring to life her own Philippine history, and it is certainly a story that encourages us to walk in someone else’s shoes awhile and to consider the impact our presence might have on others.
A brief yet compelling read, which will certainly generate discussion about some of the issues covered.
Jess Aarons’ greatest ambition is to be the fastest runner in his grade. He’s been practicing all summer and can’t wait to see his classmates’ faces when he beats them all. But on the first day of school, a new girl boldly crosses over to the boys’ side and outruns everyone.
That’s not a very promising beginning for a friendship, but Jess and Leslie Burke become inseparable. Together they create Terabithia, a magical kingdom in the woods where the two of them reign as king and queen, and their imaginations set the only limits.
Unbelievably this is not a book I remember reading, I vaguely recall one of my children watching a movie version and yet I feel I knew exactly what to expect.
Some of the elements of this are not going to mean much to younger readers now. I can’t imagine many who’ve experienced the freedom of playing outside for hours without a parent hovering over them. There are probably few who’d be happy with the idea of creating their own world.
In spite of these issues, this is a lovely story about dealing with children on the cusp of growing up and coming to terms with loss and friendship.
It’s brief which does mean some of the nuances that could flesh out the characters were missing, but it’s still one of those stories that will make you smile to remember childhood friendships and to relish the power of the imagination.
I picked this up as it’s on the 2019 Carnegie Longlist. It features aliens and mysterious events so isn’t typically the kind of book I’d go for.
Jazmine is trying to come to terms with the disappearance of her best friend, Becky. There’s no trace of her, but we learn she jumped off a tower and disappeared.
We dip into the past and present to try to learn the circumstances of what’s going on. We’re introduced to the friends, learn about their relationships and their keen interest in two other characters who seemingly disappeared after jumping from a tower.
This is not a particularly taxing read, and the story is not necessarily credible. However, it explores some interesting questions about humanity and what makes us as we are.
I’ll be interested to see if this makes the shortlisted titles.
Vetty is taking time to work out how she feels about all sorts of things. It was easier when she was younger: her mother was alive, her best friend knew her instinctively and she didn’t have to worry about people trying to label her.
For the last few years they’ve lived in Somerset with her aunt, struggling to come to terms with losing mum. Now the family are moving back to London and Vetty is trying to pick up where she left off.
Some of the initial interactions we watched Vetty have were very self-conscious. It was hard to know how we felt about her and her friendship with Pez. As the two talk, it’s evident that Vetty has feelings for boys and girls and is going to have to think about what’s important to her.
I felt Vetty was a really engaging character. She didn’t always get things right, but it was easy to identify with her uncertainty.
Thanks to NetGalley for granting me early access to this in exchange for my review.
Elliot’s mum is ill and his home is under threat, but a shooting star crashes to earth and changes his life forever. The star is Virgo – a young Zodiac goddess on a mission. But the pair accidentally release Thanatos, a wicked death daemon imprisoned beneath Stonehenge, and must then turn to the old Olympian gods for help. After centuries of cushy retirement on earth, are Zeus and his crew up to the task of saving the world – and solving Elliot’s problems too?
This has been popping up on a range of feeds commenting on how much primary school students are loving this. My eight year old was keen, but I said I’d read it first.
Well, what great fun!
Elliott Hooper is not your typical hero. However, it looks as if he’s going to be the one charged with saving the world.
After a rather unfortunate mishap involving Virgo crashing into Elliott’s barn, he gets caught up in a riotous adventure involving a range of Gods and a quest to collect four stones.
Along the way we get introduced to a range of great characters. There’s a potentially upsetting story-line featuring Elliott’s ill mother and money problems, and some very funny moments with the queen.
Having finished this I’ve ordered part two and am looking forward to seeing what my son makes of this series. Pretty sure ‘Epic Bosh’ is going to find its way into conversation soon…
The Binding will be one of those divisive books that will have both fans and haters alike, but whichever camp you fall into I think there’ll be similar comments made about it.
For me this was the story of Emmett Farmer, a young man drawn to books but reluctant to take on the apprenticeship he’s offered for reasons he can’t explain. He comes to learn about himself and how he might challenge the expectations of his time.
When I requested this from NetGalley it was because of the lure of a story about books. In this world books are currency, used by fraudulent men to bind people to them. Books in this form are not stories – works of fiction are sneered at here as being less worthy – but they are used to draw memories from people who desire to forget things. Sometimes this is an unpleasant memory, but sometimes these bindings are used as a form of covering abuse or controlling others.
Intriguing though this was, we don’t focus on the books as much as I expected.
There’s no denying the fact that the first part of the story feels slow as you read. It drifts and it’s not clear why certain events are happening as they do, and the recurring allusions to secrets to be told did get a little wearing. However, as we started to uncover some of these details I became more invested in the story. Unfortunately I can see many readers being bored by the midway point where things really started to move forward, and simply not bothering to read on. That would be a shame.
As we come to understand Emmett’s actions and unearth some of the details that have led him to this point I couldn’t help but feel the story had shifted into a place that wasn’t expected.
Thank you to NetGalley for the opportunity to read this prior to publication.
Firstly, thank you Angie Thomas for introducing us to another wonderful character in Bri. Secondly, thank you for not writing another THUG. Some crossover issues, but there’s never a moment when you feel this has already been done. Thirdly, thank you for writing about something I don’t have any experience of (rapping) and making me actually care about it.
Focusing on sixteen year old Bri, daughter of a much-loved rapper shot by gang members, On the Come Up places music at its very heart. Showing us the power of words and the way music can, literally, save us also means Thomas has to confront some of the less appealing elements associated with this genre.
At the outset Bri is rather brash, quick to rile and say what she thinks. This means she’s labelled as ‘aggressive’ and people expect trouble. Immediately confronting attitudes to race when Bri is thrown to the floor by school security there’s a lot happening here.
Alongside the school issues/general social exploration, there’s a real focus on the family and how our relationships affect us. Bri’s mum and brother leave her out of things – perhaps out of a desire to protect her – but this leaves a Bri open to suggestions she may not have considered in a misguided attempt to help ease her family’s experiences.
Friendships are tested as Bri sets out to get her ‘come up’ – her chance to change things. She battles with words, she is set-up to play a role but ultimately she has to figure out who she is and whether she’s important enough to look to do things her way.
Again, I’m sure all too soon we’ll see this adapted into a movie. Vibrant, thought-provoking and powerful.