Zora Novak is not the most likeable of characters. She is surly and definitely has a chip on her shoulder – but as we learn more about her, it’s easier to understand her.
One thing we are told very early on is that Zora is being framed.
We know that when the home of the local janitor burns down, Zora was the last to see him. He was telling her off – and in Addamsville that is reason enough to suspect Zora of wanting to burn his home down. This is, in part, because of events of a few years earlier which we learn about during the course of the novel.
Without giving away too many details, it’s important that we know Zora has a special skill. She can see the dead, and is (like her mother) responsible for keeping her town free of the entities they call firestarters. Unfortunately, her mother disappeared five years ago and since then Zora has been trying to keep her town safe without really knowing what she’s doing.
As if these events weren’t bad enough, a team of investigative journalists hunting ghosts have come to Addamsville determined to get a scoop. This seems a rather unnecessary plot side-line, but stick with it. It all matters.
Initially I was drawn to this having enjoyed Eliza and her Monsters. This is quite different, and it did take me a while to really start linking ideas/events. Personally, I’d have liked to see a little more focus on the paranormal elements of this. I’ve also got so many questions about her mother, Bach and just what on earth is going on with the town of Addamsville.
Very different from the other Ashley Elston I’d read, but I was in the mood for feel-good predictable seasonal fare and this was spot-on.
When she’s left at home as her parents are visiting her sister (in the latter stages of pregnancy and quite ill) Sophie has a great plan to spend some time with her boyfriend. Unfortunately, when she arrives at a mutual friend’s party (which should have been the first clue as he knows she’s home alone) she overheard him telling a friend he wants to break up. Ouch!
So Sophie drives to her grandma’s where she is immediately fallen upon by her crazy warm-hearted family. They decide to brighten up her Christmas by making her go on ten blind dates.
Yes, this is totally predictable (there’s an inevitable romance and the dates are a mixed bag) and will probably irritate and amuse in equal measures. However, it was just what was needed today…and it will make a perfect Sunday afternoon movie.
Set against a backdrop that many find less than pleasant, this story covers so many emotional highs and lows…and forces us to confront some pretty unpalatable truths about people.
Our main focus is Nathan, the younger brother of Al. Al was a straight A-grade student who killed himself. Nathan found him. Nathan is also having to come to terms with the guilt he feels over ignoring a call from his brother on the night he hung himself.
Alongside Nathan we have Megan, a friend of Al that few people knew about. They shared an Art class. They were close, but Megan didn’t feel able to go against her ‘cool’ friends and show Al that their friendship was important to her.
There’s no doubt this story just as I’ve recounted it would have made for a tough read. However, as Megan and Nathan become friends and start to unravel some of the mysteries surrounding Al’s last moments things move up a gear.
This book made me sad, so sad. It made me angry, unbelievably angry. But it also filled me with hope.
Thank you so much to Danielle Jawando for using her own personal situation to bring to life such a compelling read, and to NetGalley for letting me read it prior to publication (expected in March 2020).
A timely reminder that what we do online has consequences in the real world, and a rather terrifying warning to watch what you post and who you ‘friend’ as an online profile might not tell you the full story.
Our story focuses on two perspectives. First, there’s popular teen, Chloe, who accepts a message from someone online and then finds herself with a ‘friend’ she’s never met whose behaviour causes a lot of discomfort. Second, there’s social misfit Amber who yearns for popularity and whose obsession with a personal trainer at her gym soon gets her into a situation that she wasn’t expecting.
The story is quite straightforward, and both girls are involved (to some degree) with the same character.
If I’m being honest, I felt the attitude of the friends, school and police were not wholly accurately presented. Given the concerns about this topic, the attitudes felt a little behind the times.
The story itself was quite obvious, but it did offer some opportunity to get under the skin of some characters you may or may not empathise with.
Thanks to NetGalley for allowing me the opportunity to read this in exchange for my review.
Jude is, rightly so based on previous experience, uncertain where she stands with Cardan. Exiled, she can only dream of what might have been.
This time round we see Jude forced into a situation over which she has very little control. She feels indebted to her twin, and finds herself taking a huge risk to try and help.
Inevitably, nothing is quite what you’re led to believe and we quickly see Jude caught up in the political machinations facing the land of Faerie.
Once I’d started reading this I found time slipped by remarkably quickly. There was plenty of action, and I couldn’t wait to see how things would resolve themselves.
Not everything goes smoothly (as you’d expect), but this is definitely a good way to round things off. Of course, a little more of some elements would have been nice – what is it about bloodthirsty hags that is so appealing? – but I’m pretty happy with how things turned out.
A deadly game of cat-and-mouse has Audrey and Thomas fighting to stay one step ahead of the brilliant serial killer—or see their fateful romance cut short by unspeakable tragedy.
After something of a sidestep, Audrey and Thomas are back in more familiar territory for the finale. We have journeyed with them to New York, and the signs are clear that someone on the ship with them has been killing. For what purpose, we don’t know, but the killings bear the marks of someone close to them.
From our earlier encounters, we know that Nathaniel – Audrey’s brother – who is thought to be the Ripper is dead. They haven’t shared this news with anyone else, but as soon as certain similarities appear it seems that perhaps Nathaniel wasn’t working alone.
While this shadow looms over them, the young couple are forging their own way. They are determined to marry and Audrey’s father journeys to meet them. Everything is going well – so much so that Audrey finds herself in a potentially life-shattering scenario. Unfortunately, Thomas’s father seems to have his own ideas of what kind of match is appropriate for his son.
Difficult decisions, and we get a clear sense of the social conventions playing on these characters. Determined to be true to themselves, the couple head to Chicago, in order to try and solve the mystery of the killer who has come to be known as the White Devil.
There are some great characters who appear that I wish we’d met sooner. Their appearance fleshes things out a little. I was quite surprised at the obvious flouting of conventions that we see, but it fits with what has already happened.
The most recent escapade leads to some truly awful scenarios, and there are some heart-in-mouth moments where you’re never quite sure we’re not going to be horribly disappointed. We see more focus on the social dynamics, and I think this was a fitting end to the series.
It’s been three years since Rowan and Citra disappeared; since Scythe Goddard came into power; since the Thunderhead closed itself off to everyone but Grayson Tolliver.
In this pulse-pounding conclusion to New York Times bestselling author Neal Shusterman’s Arc of a Scythe trilogy, constitutions are tested and old friends are brought back from the dead.
That certainly doesn’t tell you much, and having invested so much in the series you can’t help but be determined to find out how it resolves itself. Taken as a whole series, I can’t help but recommend this. Our final chapter slots certain scenarios into place and it fits together perfectly.
I don’t want to give spoilers, but we are set three years after the sinking of Endura. Certain characters have engineered themselves into new situations, while others are taking their time to find people. Everyone is desperate to know what the ultimate plan is, but the Thunderhead will talk only to the Toll, Grayson. A new world, a dead spot, has been created and Goddard goes to new lengths to try and control those around him. Eventually we see the chances for a new beginning, and are left with a very positive image that harks back to earlier times.
While I can see just how good the series is as a whole, I didn’t enjoy the experience of reading this as much as I’d hoped. I always felt a step behind as it wasn’t clear who was doing what, and for what reason. At times it felt longer than it needed to be, but the final section certainly pulled it together.
Plunged back into the world of The Hazel Wood, it was a real experience to follow Alice once she’s been saved from her story.
The characters who’ve escaped from the Hinterland are all marked in some way, and they can see when they look at each other some of these marks. It could, theoretically, be possible for these ex-stories to live on earth peacefully. Unfortunately, someone has other ideas.
In the opening chapter Alice talks about their changed circumstances when she refers to them being prey rather than predators. Their vulnerability is evident, and when ex-Hinterlanders start appearing with body parts missing it is evident that someone is trying to recreate their own story.
Alongside this focus on Alice and just who/what she is, we also get to see Finch travelling through worlds to try and salvage his own story.
The stories are interleaved and I was left guessing exactly how they’d link until quite late on. My sympathy for Alice definitely grew as the book progressed and I loved the ending.
Though I’ve pre-ordered my copy – and can’t wait to read it again – I’m grateful to the publishers and NetGalley for allowing me to read this prior to publication.
There’s no excuse for having taken so long to get round to reading this, and now I’ve finished it I can say it seems a fitting interlude.
Chaol may not be a character many feel much investment in, but in this we can see a most intriguing man. For so much of the series he’s been there, in the thick of things, but we never really see beneath the surface. Tower of Dawn allows Maas to really show us the man.
We follow Chaol and Nesryn as they journey to try and garner support for Aelin. We hear rumours of what is happening elsewhere (which I’m hoping will be the focus of Kingdom of Ashes), and there’s a clear sense of a people teetering on the edge of destruction.
Much of the story centres on Chaol and the attempts by the healer Yren to cure his paralysis. A number of stories merge here, and nothing happens smoothly.
Learning a little more of the Valg and just what horrors might be to come didn’t make for a book full of excitement. It wasn’t dull, but it felt like a necessary story to develop our understanding and shape things in anticipation of what is to come. The inevitable romances kept things entertaining, and it certainly got me back in the mood for tackling the last instalment.