After the ending of The Gilded Cage I really was torn over whether or not to start this. I was desperate to find out what happened to Kiva, but I worried whether this could possibly live up to my expectations. I’m pleased to report that this really is a phenomenal end to the series, and – yet again – I shall be urging people to read this.
This time round we focus on Kiva and the part she plays in trying to restore the wrongs that have been taking place. Relationships are key to this novel, and while I hoped throughout that everything would resolve in the way I dreamed, it wasn’t clear cut. Nobody is quite as they seem, and there’s some seriously unexpected revelations that make so much sense once they come but which sneak upon us as we’re focusing on other matters.
Integral to the plot is a quest…and it’s a good one. Tension aplenty, risks and adventure but also the opportunity for key threads from the previous books to be addressed.
Once I’d started and got back into the world Kiva inhabits, it was incredibly difficult to put the book down. From start to finish I was desperate to see how certain elements would unfold, and though I knew the ending would be bittersweet it honestly felt as if no stone was left unturned and Evalon/Winderall would be in safe hands.
Huge thanks to NetGalley for giving me the chance to read and review this prior to publication, and now to wait until it’s launched into the world and I can talk to others about it!
Quite a departure for Christina Lauren, but great fun and it was hugely entertaining to follow this through from start to finish.
Lily Wilder has always, a little, resented her father Duke for his obsession with treasure hunts and riddles. A celebrated treasure hunter Duke was rumoured to have discovered money that was stolen by Butch Cassidy. There’s no suggestion that this is the case as Duke sold the family ranch, had a stroke and then left his daughter with nothing.
When we first meet Lily she is preparing for one of her wild tours, taking rich City types to the wild and allowing them to play at finding treasure. However, this particular tour goes very much off page…partly because one of the party is Leo, the man Lily fell in love with years ago, but also because one of the group has an ulterior motive for joining in.
While I was invested in the rekindling of Lily and Leo’s relationship I loved the way we veered into a true treasure hunt. We never quite know how this is going to pan out, but the temptation to risk everything just for a chance to fulfil a dream is quite an inspiration.
There’s danger, more than I expected, and there’s a nerdy delight in puzzles and codes. On more than one occasion it could have gone either way, but this had a lovely feel good factor to it that left me with a smile on my face.
I’m grateful to NetGalley for allowing me the chance to read this before publication in exchange for my review. I also wonder where they’ll go next…
The House Across the Lake was a story I was so excited to get my hands on, and parts of it really were exciting. However, as a whole, it felt messy and just too much to take in.
Our main character is recently widowed actress Casey Fletcher who has been banished to her lakeside home (the place where her husband died) by her mother who wants her out of the public eye after one too many drunken incidents. In what felt like a Rear Window homage, Casey takes to watching the home across the lake from her…home to supermodel Katherine Royce and her media husband Tom.
Casey’s first meeting with Katherine is when she fishes her out of the lake and saves her from drowning. The tentative steps to a new friendship are forged, but Casey is convinced that things in the Royce household are not what they seem. Obsessive, alcohol-fuelled stalking events occur and it’s hard to workout whether Casey is deluded or if there’s some truth to her fears about Tom.
In the background of this bizarre situation is a local writer, an ex-cop whose wife died and three missing women. From the moment each element is introduced my brain went into overdrive trying to work out what was a red herring, what was plausible and what was a diversion. Casey lurches from one imagined scenario to the next and things ramp up once Katherine goes missing and Tom starts acting suspiciously.
It was at this point that the book went to a whole other level and I had to check if I was reading the latest Sarah Pinborough. I have no problem with the introduction of the supernatural to a story, but in this instance it felt like a gimmick. It served merely to offer a hitherto unthought-of reason for what was happening, but it also served as a diversion to another element of the plot. It felt as if bets were being hedged here as to what type of book was the ultimate aim, and the truth is that it feels as if we don’t get a satisfactory answer.
I’m grateful to NetGalley for giving me the chance to read this before its scheduled July publication, but I’d have been so gutted to have waited for release date and spent the amount I’ve had to on previous Sager books to then get this. I’m afraid this didn’t work for me.
At the outset I wasn’t sure what to make of this scenario. Tyler was a character I found hard to read, but he comes into his own once their first mission is underway.
Our story opens with Jen, a lawyer, waiting for her adult son to come home after a night out. I feared there might be an accident as we watch Jen observe her son get closer to home. Another figure approaches her son, and I thought we were about to witness an awful crime that Jen would have to relive as she deals with this moment. We did…but it wasn’t at all what I expected. Todd, Jen’s son, stabs and kills the man. Watching your son get hurt would be awful, but I can’t imagine how you’d feel watching him kill someone.
The next day, the strangest thing happens. Jen wakes, and it is the day before the crime. Nothing has happened, and she believes she is going mad. Each time she goes to sleep she seems to travel back in time. There has, Jen is certain, to be a reason for this. Can she learn anything that will help her stop this crime before it happens?
Wrong Place, Wrong Time was a skilfully constructed story. From start to finish it was fascinating to observe Jen’s experiences and to try to piece together anything that could have relevance to the crime that instigated this event. McAllister weaves a rich story, where nothing is quite as it seems. We watch Jen as she is forced to relive her life, reflecting on interactions and trying to work out what might hold the key to protecting her son.
As the story unfolded I found myself quite amazed by the concept. I loved the mercurial quality to the story, and found myself wholly unsettled by the ending.
I can’t wait for someone I know to pick this up and read it. A huge thank you to NetGalley for giving me the chance to read this in advance of publication.
Due for release in early May, I’m grateful to NetGalley for giving me access to this prior to publication. From start to finish this had me hooked, and I think it is Ahmed’s most powerful book to date.
It’s easy to feel outrage at the kind of privilege shown throughout this book. It’s easy to feel angered by the behaviour of the two young adults who plan, carry out and almost get away with their murder of a younger teen. It’s easy to feel the fire of injustice that forces Safiya into action. But it’s also easy for many readers (and I probably count myself in this) to feel that anger and yet to not be further impacted by it. This is not part of my daily experience, and I fear that my ‘fire’ as I finished this book could be seen as ‘hollow’ if I don’t do anything with it. This is something I need to digest further.
The story of Hollow Fires itself is a compelling one. It begins when Jawad, son of Iraqi refugees, is arrested when his English teacher believes the home-made Halloween costume he proudly takes into school is a suicide bomb. The absurdity of this situation stands out…but even after being cleared of all charges, Jawad is persecuted. He becomes known by the moniker BombBoy and the growing sense of unease felt by students who are not white is deftly portrayed through the character of Safiya. When Jawad goes missing, there is an appeal but the police quickly write him off as a run-away.
Safiya has always wanted to be a journalist and she has an inquisitive nature that doesn’t allow her to blindly accept some of the things she’s told by those in authority. She is determined that people should not accept this version of events. Set against a growing backdrop of racially-motivated attacks, Safiya is convinced there is more to Jawad’s disappearance. When she finds his body wedged in a culvert in a little known part of the local park, Safiya knows that there’s more to this story than people are prepared to acknowledge. She takes it upon herself to try and get justice for Jawad, determined that those responsible will be held to account.
There are issues with the way Safiya interferes with an ongoing investigation. The way certain characters behaved didn’t always seem realistic, and there’s still a part of me that feels the outcome of this case would not, in reality, have gone quite as it’s presented here. However, these were not enough of a distraction to prevent me from feeling this is a book I would highly recommend.
Thanks to NetGalley for allowing me a glimpse of this before its release. While it didn’t have quite the emotional pull of the other McQuiston books I’d read, it drew together nicely.
Our focus is Chloe Green who’s in competition with Shara Wheeler, the Principal’s daughter, for valedictorian. Both girls are fiercely competitive and they have, for the past four years, danced a strange dance of one-upmanship. When the book opens, rumours abound as Shara has disappeared.
Determined that she will not be given the top spot by default, Chloe vows to find Shara and get her back to school in time for graduation.
The main thrust of the book focused on this rather odd scavenger hunt orchestrated by Shara who has left cryptic notes for three people, all of whom kissed Shara before she left. As we only learn about Shara through the veil of someone else’s view, I found it hard to work out quite what kind of character we were looking at. I also found the setting of the book – a strong Christian homophobic setting – really off-putting. People were pigeon-holed and made to feel wholly uncomfortable, nobody seemed to do anything about it, and it appeared to have been this way since Chloe’s mum endured coming out years earlier.
While the days before Shana appeared were instrumental in helping to develop the characters, it was once everyone was back in their rightful place that I felt things started to fall into place for me as a reader. Chloe opened her eyes a little and started to look beyond herself. It had a relatively happy ending, even though there was clearly a long way to go!