In the latest (I think, inevitable, bestseller) novel from Angie Thomas we focus on the early life of Star’s father, Maverick.
Set seventeen years before the events focusing on Star’s story we get to see Maverick Carter as a seventeen year old. From the outset we see glimpses of the man Maverick becomes, but we also get an insight into just how hard he had to fight to get to that stage.
The story feels familiar, knowing some of the details that are referenced in The Hate U Give. We watch Maverick dealing with the reality of becoming a father; the issues he faces each day with a father in prison; the expectations placed upon by him by others; his relationship with Lisa; school and work.
While I can’t begin to claim to understand his experiences, Thomas writes about them in a way that encourages you to empathise with him and the many like him. There’s some great characters ‘behind the scenes’ in his mum and Mr Wyatt, the mentor-like figure who helps him see his own worth. Of course there are some characters that it might be nice to hear a little more about but we see enough.
I did feel that some of the incidents/events were quite easy to predict, but I’m not sure how much of that is because they’re referenced in the later book or because these events are the fairly obvious ones for certain characters. Regardless, I liked the way we see Maverick grapple with his own shortcomings and prejudices as he starts his journey to where we’ve first seen him.
Fable took me somewhat by surprise, and though it was an incredibly frustrating ending and my irritation at having to wait for book two before I find out what I need to know is high, I can’t rate this highly enough.
Our main character is hardy and spirited, not necessarily through choice, and I couldn’t help but hope for the best for her from the outset. Clearly talented, the skills Fable has around gems suggests there’s more info to come.
We are encouraged to jump into her adventures immediately, watching as she ekes out a living dredging what she finds at the bottom of the ocean. We quickly learn that one of the merchants who is feared by many has more of an interest in Fable than she is able to reveal, and she has to decide who to trust in order to get what she wants.
Full of adventure and more than enough hints at an intriguing backstory. I am desperate to know exactly how Fable’s mother fits into this, what West is hiding and exactly why Zola is so keen to have done what he has.
I got caught up in this immediately, couldn’t wait to learn more and am desperate to be approved for book two on NetGalley (strong hint).
I had seen reviews of this on NetGalley, and could not believe the UK release was so long after the US one…so I requested the audiobook on NetGalley, and when I was sent an ARC I jumped straight in.
I listened to the opening with such a sense of anticipation, and found myself captivated but also repulsed by the opening. Our story begins in 1902, with Flo and Clara – two young students of Brookhants School for Girls who have a shared fascination with a scandalous book. Unfortunately, their story ends abruptly, and in ways too horrific to dwell on. I dislike intensely the thought of being stung, so this was a particularly macabre scene with which to open the novel…though the story definitely intrigued me.
I soon found my tendency to read a couple of books at the same time, and my relative unfamiliarity with audiobooks, meant that I soon found myself totally lost by this. The shifting perspectives and chronology is one of the strengths of the story – having now finished it, I am in awe at how cleverly constructed this is – but trying to listen to it in short bursts with gaps in-between was not working out. It got set aside until I knew I could do it justice.
Finding myself with the arduous task of stripping a bathroom, what more excuse could I find but to try and use the time wisely? Back to it…
Second time round – and actually listening to it for hours at a time over two days – meant I found myself immersed in the story from the outset. Listening to/reading the stories surrounding Brookhants School for Girls and its mysterious ‘curse’ was a joy.
In the publicity material we are told that this is a story of parts – queer love story, Gothic horror and Hollywood satire. The focus is on a number of stories tied to Brookhants over time: that of Libby Brookhants and her lover, Alex; poor Flora and Cara and, lastly, Harper Harper and Audrey. The one thing that unites these three stories is the mysterious Brrokhants School for Girls and the scandalous memoir that seems to hold the key to the purported curse.
I don’t want to say too much because Danforth reveals all, and the way she chooses to do this gave me physical chills. I never felt as if I could tell exactly what was happening, and the events unfolding – in whichever timeline we were focused on – were beautifully described. The narrator on the audiobook gave a different perspective on the experience, and this is certainly a book I will have to physically read too.
A huge thank you to the publishers Harper Collins and NetGalley for granting me access to this prior to its release.
People Like Her is meant to be a timely reminder to consider the role played in our lives by social media. How far does it impact on us? To what extent does it influence our behaviour? Pertinent questions, but this book – sadly – didn’t really hit the mark for me.
Our main character, Emmy, is a popular internet phenomenon. The face behind ‘mamabare’, Emmy lays her life out for public scrutiny. She courts fame, purely to achieve more likes, and this is a lifestyle that more than pays the bills. Making a life out of selling your family might not make sense to many, but everyone will have experience of social media. We all have opinions on online presence, and how far is too far. For this reason I can see the book tapping into a fairly large audience.
Though the book begins slowly as we’re introduced to our couple, it shifts by the end into a much more dramatic affair. From early on we are aware that someone is unhappy with Emmy and wants her to pay for a perceived slight. They are a threat, but how do you ward off threats when they are safe behind a veil of anonymity?
Unfortunately, the character of Emmy was problematic for me. Initially she seems somewhat dizzy, a little naive and determined to milk her cash cow while she could. There was little to really encourage me to empathise with her as everything she did was about her public profile. When she is under serious threat I felt for her, and yet she had acted with such callousness towards those she claimed to care for that I struggled to not blame her a little for what happened. Victim blaming is never going to be a good thing, but it’s so hard not to do that with Emmy that I fear this will ensure some of the comments raised by this book will miss their mark.
Another problem character for me was husband, Dan. A writer in name, who seems to actually do very little, he infuriated me. He seemed to have reservations about this venture, but never took steps to challenge it. What little action he took to offset the influence held by his wife’s job was ineffective, and his final action was – perhaps – even more cynical than those we’d been encouraged to criticise in his wife. Yes, he helps resolve things…but what he does at the end suggests that the influence of the media is more insidious than we might think.
Thanks to NetGalley and Pan Macmillan for granting me access to this prior to publication in exchange for an honest review. I’m convinced this will be lapped up by many, but the cynicism shown by our characters left me without the requisite sympathy I feel was needed to make this wholly successful.
Thanks to NetGalley for allowing me to read this before publication. It didn’t go quite as I expected, but it is definitely one I’d recommend reading.
When I first started reading I couldn’t make my mind up about either Leah or Ellie. These two had more in common than was suggested at the start, but it was a rollercoaster ride to get them to realise it.
Leah and Ellie are both reluctant to let the other get close. They have their reasons, and the hints at the secrets they were keeping totally lead me up the garden path in my thoughts of what might happen.
Their respective parents have got together so the family are at the awkward stage of adjusting to life together. Ellie is the life and soul of her world, while Leah is more circumspect. However, the narrative from Leah’s view shows us she’s not quite what she makes out.
It was clear that Leah was somewhat fixated on the events surrounding her dead mother and sister. She wanted revenge on the gang member who stabbed them, but her interactions with her family keep this hidden. Only as we near the end do we see just how dangerous her fixation could be.
I liked the split narrative as it kept just enough unclear to prevent it all being obvious, but it also helped us develop a less negative view of each girl. The inclusion of narrative from a third character was, initially, confusing but it became interesting to see the developing role this character played. I wish we could have seen a little more on this.
Unfortunately, I’m not wholly convinced by the way things were resolved but I’m prepared to admit this was because I expected something so different.
The Last Thing to Burn is a book that will haunt me. Will Dean has written a book that I read with an increasing feeling of sickness and disgust, but was deeply touched by the hope and strength of spirit shown by the female characters.
Our main character is ‘Jane’, who when we are introduced to her in the opening chapter sounds like a young child. She is running away from the farm where she lives with Len, and it quickly becomes clear that things are not at all as they seemed.
‘Jane’ is a Vietnamese woman, trapped in a hostile environment. Lured to Britain under the promise of a better life, she has been held captive and forced to endure the kind of life that nobody deserves or should have to live.
Watching the emotional and physical abuse this woman was subject to was awful. It was very clear why she did not try to escape, but I spent most of the book imagining just what it might take for her to snap and decide the risk was worth it.
Viewing events through Than’s eyes I was filled with horror that such events could ever occur. When she is forced to become privy to another woman being taken prisoner, it felt as if I was watching a dry tinderbox waiting for the match to be lit and send everything up in flames.
Her situation alone was bad enough, but once she becomes a mother it felt as if it were only a matter of time before something snapped. That was, indeed, the case and what transpired towards the end was bleak, though it gave some semblance of hope. It was certainly testimony to the strength of the human spirit.
Thanks to the publishers and NetGalley for allowing me to read this prior to publication. Highly recommended.
Flora is a character who does not make things easy for herself. Headstrong and incredibly stubborn, she has a tendency to pursue her own ideas without really thinking about how her actions might impact on others.
When we’re first introduced to Flora her character is established quite quickly. She is bisexual, fancies herself as a detective and seems to have a tendency to get herself into hot water. She has not been the same since she went for a run and came across the dead body of a fellow student. Now, some time later, she gets caught up in a potentially dangerous case.
It begins when an ex calls her asking for help. Upon arriving at the place she is supposed to meet Ava, Flora discovers her almost dead on the floor. The police want to write it off as a mugging but Flora is convinced there’s more to it.
What follows is totally unrealistic, quite entertaining and happens at breakneck speed. We’re taken to underground fight clubs, risky encounters and someone who’s determined to keep their secrets at whatever cost. Full of good intentions, Flora puts her life – and the health of those closest to her – at risk.
Good fun, but definitely not to be taken too seriously.
From the outset – and the references to her suggest this was intentional – Whisper Island reminded me of Agatha Christie’s And Then There Were None. The remote island setting, a group thrown together, mysterious deaths and secrets. While it might not have quite lived up to that book, it was definitely a good read.
Our focus is a group of fairly unlikeable friends. We can see immediately that they each have secrets and are using this trip to Whisper Island to escape something. The lack of detail here was necessary, and though it was frustrating to not really get beneath the surface of these characters it was important for the story that we didn’t know too much too soon.
Once the group arrive on this run-down island it’s obvious that this isn’t quite the luxury idyll they had been expecting. The discovery of a skull and then some gruesome deaths had this teetering close to the edge of credible (though this may have been more because of the pacing of the story). The behaviour of the group once they start to get picked off is meant to show their rising fear, but it was rather more reminiscent of every over-the-top horror movie known.
While I didn’t feel that concerned by the events of the book, it was clear that those involved were more affected by things than they initially let on. As with most of these scenarios, things may have been different if people took responsibility for their actions. The story wouldn’t have been as much fun though!
Thanks to NetGalley for allowing me to read this prior to its scheduled February publication. I’m looking forward to recommending this to some of my students.