Having made it back to her own world it was hard to see what would happen to Lily next. She is with Rowan and her family, and the appearance of Rowan seems to have calmed Samantha down a little. Unfortunately, too many people want to know where Lily disappeared to for three months and how she is miraculously healed.
Initially, Lily is reluctant to provide answers. Eventually, under Rowan’s guidance and when a familiar terror from the past turns up in this world, Lily realises she has to trust her friends and create a new coven.
Initially, this doesn’t make much sense. The worlds don’t mix well, and I think a lot more people would have pursued this further in reality. That aside, it was good to see some more characters and definitely good to watch Lily battle with the fact she is still communicating with Lillian.
Before too long, a painful decision has to be made. Lily and her group have to get back to Rowan’s world.
In between the personal character stories, there was a real focus here on the alternative realities and trying to get us to understand Lillian’s actions. We also got to see some interesting developments with regard to the Woven and wha5 Lily’s presence in this world could signify.
TRUST NO ONE
Olivia Jones is desperate for the truth. The daughter of convicted serial killers, she has begun to suspect that her parents are innocent of their crimes. But who can she trust, in a world where betrayal and deception hide in every shadow?
Liv does have one secret weapon: a mysterious sixth sense that helps her to anticipate danger. The trouble is, this rare power comes with its own risks. There are dark forces that want to exploit Liv’s talents – and will stop at nothing to win her to their side.
FACE THE TRUTH
Now Liv must decide, before it’s too late. Who does she love? Who is really on her side? And can she save herself without burning down everything that matters most?
Part of my issue with this was just as soon as we started to look as if we were getting somewhere, things changed tack and we were back on another new route.
Olivia is increasingly having visions. They seem to be memories of events she’s never lived, but their purpose is evident…to help her figure out the reality of her situation.
She and Ricky are still in a loved-up state, but there’s clearly more to this than we first thought. Her friendship with Gabe continues to be a difficult one. There’s plenty of suggestions that both might want more, but it’s never going to be so straightforward.
The love triangle went on and on and on. The developments with the fae and their feud make it pretty clear there’s no easy answer here. Some interesting developments with regard to Olivia’s birth parents – and not all of it is quite as we expect.
By the end of the book I was more than a little frustrated with the main characters, but also wondering how a group of otherworldly creatures can be so rubbish at sorting things out!
Having now acquired the nickname of ‘Steelslayer’ David has got himself in position with the Reckoners and they are on the tail of another Epic. This time, they are heading to the former Manhattan – a hippy-like place that has been submerged by water – in order to fight the epic known as Regalia.
Unfortunately, David has to deal with the fact that he is in love with Megan, the epic known as Firefight, whom everybody else wants to kill because she murdered one of their own. His mentor, Prof, is also an epic and is clearly more than accustomed to using his powers when he needs to.
From the outset, it is evident that nobody is being entirely honest with anyone else. They do a bit of scouting and find another couple of lesser epics that they decide to try and take down in an attempt to draw out their primary target. David masters the art of using his jet-pack (for want of a better term) and the new characters lend a bit of an alternative view to events.
Throughout this I was intensely irritated – probably more than I should have been – by David’s repetitive comments about being bad at metaphors. The obvious error each time he did this really annoyed me and i was amazed that nobody had spotted it. Of course, we learn later, it was deliberate just to set up what is meant to be an endearing moment near the end. It wasn’t, but that’s just my opinion.
Once we got underway with the nitty-gritty of this it did get more interesting. It seemed unevenly paced though, although the final moments were definitely interesting. Not entirely sure what we’ll get to see of David in the next one – there’s more to this boy than we’ve been led to believe I’m sure of it – but it definitely looks like it’ll be worth checking out.
Thank you C.J. Tudor for yet another compulsive read. It has left me rather chilled, but once I started this I was desperate to know how everything fitted together.
Our story begins with Gabe travelling home, worried he’ll be late. He sees a rusty car being driven erratically in front of him. In the rear window he sees a young girl…his daughter Izzy…but then he loses sight of the car. Calling home he’s met with the awful news that his wife and daughter have been murdered. So, who was in the car?
The next time we see Gabe is years later. He’s taken to driving up and down the motorway looking for clues as to the whereabouts of his daughter. He is no longer a person of interest, but nobody has any clues as to what might have happened.
Without giving too much away, we are then shown a number of incidents that seemingly have no connection. We see Fran and her daughter, Alice, on the run. We have service station worker Katie struggling to make ends meet after the death of her father. We have the discovery of a car in a pond, with a body inside. And we have a number of references to a young girl asleep, a beach and pebbles…and references to The Other People.
What then follows is a twisting turning read, with just enough hints to have us start making links. There’s mystery aplenty and a borderline menace that had the hairs on the back of my neck tingling.
Once I finally reached the end I felt wrung out. So many secrets; so much sadness. Throughout, there was a sense of good people making bad choices…but I guess how we act in those trying times is what defines us. I just pray that I’ll never be in that kind of situation!
Having created rather a mess, we now reach the point where the Scions realise they have to use their talents to challenge the gods. Certainly a battle to remember.
Once again, Helen is having to use her skills to do things nobody should have to consider. After the battle in the last book, her, Lucas and Orion have become blood brothers – and Helen has taken on more skills. The question is, can she come up with the answers to prevent the mortal world becoming playthings to the gods?
This reminded me of a game of chess. Characters were each plotting moves, and some of those closest to Helen were being used in the most awful way imaginable. There’s the ongoing love triangle to resolve – though with Helen’s feelings for Lucas never in question, this isn’t much of an issue.
At some points this read like a script for a very high-budget movie. We had all sorts of mythological creatures coming into play, and we get little cameos from everyone…including Zeus.
Having some of our questions answered definitely made certain scenes easier to read. There was a clear sense that not everything was resolved, and the suggestions of what could happen in the future left it in a great place.
In many ways, a standard second part of a trilogy but this was ultimately frustrating as so much was unresolved.
Helen is having to deal with the sudden arrival of her real mother. There’s weird things happening in Helen’s dreams and nobody is quite sure how to resolve the issues from recent events.
We quickly learn that a Helen is a descender and has the ability to travel into the underworld. She is, according to prophecy, the one who will do what is needed to beat the curse of the Furies. Unfortunately, she won’t be doing it with Lucas by her side.
The relationship element irritated me. They’re being very honourable and avoiding each other as it could start a war. However, they are still clearly enamoured and only being prevented from doing anything because they’re told they are first cousins. Helen’s mum clearly indicates this isn’t the case so it seems she has other reasons for wanting to keep them separate – which may be where Orion comes in.
So, a weird love triangle. An awful lot of hanging around in hell and not really getting any further with anything…all while someone evil decides to play god and try to engineer a situation that can be used to their advantage. There’s more nods to mythology and an awful lot suggested as to what might come next.
I don’t know if I really believe in the kind of all-consuming romance that our main characters, Elliot and Macy have. From the time they first meet it seems pretty obvious that they are closer than your average boy/girl pairing. We don’t find out for a long time why they’re not together, but we get to see them re-acquainted eleven years in the future. Things are the same between them, but there’s clearly something big they need to get over.
Told in alternating timeframes we slowly get to see the significance of this relationship.
As a way of forging a new life once his partner dies, Macy’s dad decides to buy them a second home. When they go to look at the house, Macy is shocked to see the boy next door curled up in one of the rooms reading. Rather than being freaked out by this rather odd experience, Macy sees it as a signal to begin what she clearly regards as the most honest friendship she has.
Over time Macy and Elliot realise that their closeness is not just a sign of friendship. We see them take the tentative steps towards lovers…but still no closer in the present to knowing why things went so wrong.
In the present, Macy is living a rather soulless existence. She is engaged but when she sees Elliot in a local coffee shop it’s clear that this is not going to end as she expects. Within a very short space of time the fiancé is despatched and the lack of emotion surrounding this gave one explanation for him seeming such a cardboard character.
I was expecting this to be a story of their romance. It was, but it was also a story of the little details of their lives that led to them not speaking for eleven years.
Perhaps in the real world you’d move on from such an experience. Perhaps in the real world you’d recall this relationship fondly but I cannot see you willingly turning everything upside down on the off-chance that things might still be what they were. Thankfully, this is the book world where we’re not ruled by our heads…
Having only read Hargrave’s fiction for younger readers I was unsure quite what to expect of this. The subject immediately made me think of The Crucible and I was intrigued by the remote physical setting and the historical setting. Having just finished, I am struck by the immersive quality to this. It caught me quite unawares and I have to say that for such an unpleasant subject it was a pleasure to read.
The book begins relatively slowly. We’re introduced to the islanders and we begin with the depiction of the dreadful storm that killed all but a handful of men. Watching Maren and the other women as they realise their husbands/sons/brothers are never coming home was a heart-wrenching moment.
Knowing that from this point forwards they would have to find ways to live with the unimaginable immediately created sympathy with their experience, which certainly helps when we see what is in store for them.
I have been fascinated by the posts Hargrave has shared on Twitter showing her visit to the place which inspired this read. It was remote, and it reminded me of the books I’ve read about life on places such as St Kilda. Even in the modern world such places are remote, and it takes a certain mindset to survive in such conditions. To do so in the time in which this story is set must have been tough.
Following the details we’re given about the island women I was unsure why we suddenly switched to the character of Ursa, the daughter of a shipowner who lives in relative ease in Bergen. When her father organises a marriage to Absalom Cornet we learn that Ursa is to become the wife of this man she’s never met before – a man sent from Scotland to travel to Vargø and investigate the lives of the women left behind.
Although we’re told this focuses on the real-life events on Vardø and the witch trials of 1621, the sense of unease created once Ursa arrives on the island was distinctly uncomfortable. Seeing this young girl struggle to develop as she becomes little more than the property of her husband was uncomfortable. Though she grows closer to Maren it doesn’t take long before relationships fracture and the hunt begins.
Once the details of the witch hunt were in the open, Hargrave holds little back in depicting the true horror of this time. At the time of reading I was struck by the obvious pride felt by Absalom and others at what they were doing. Seeing the way the women turned on each other was definitely uncomfortable, and yet there were little glimpses of positivity in the way Maren and Ursa turned to each other and sought comfort where they could.
This is one of those stories that I could imagine reading again, delighting in the depiction of setting and characters. It is both brutal and tender. The ending left many questions, but it also served to resolve some of the concerns raised. I can’t wait to see what others I know make of this.