The magical adventure begun in The Bear and the Nightingalecontinues as brave Vasya, now a young woman, is forced to choose between marriage or life in a convent and instead flees her home—but soon finds herself called upon to help defend the city of Moscow when it comes under siege.
After a very slow start (the first part I’m afraid was a slog), we catch up with Vasya and follow her on her reckless journey.
Having run from home Vasya is disguised as a boy and travelling the country. She gets caught up in all manner of political intrigue, but from the moment she reappeared in the story I couldn’t put the book down.
There’s a wonderful blend of political and fairy-tale, and Arden’s focus on the supernatural lends a real charm to the story even when she is focusing on deeply unpleasant elements. There was something magical about the characters Vasya encounters with her willingness to see beyond the confines placed on people by society.
From part two onwards this story zipped along and built to a dramatic climax. I didn’t want it to end.
In this world we have Death-Cast. On the day you are going to die you receive a call letting you know. No details are shared, but this call gives you the chance to spend your last day as you see fit.
On September 5th, a little after midnight, both Rufus and Mateo, our protagonists, receive the call. Very different characters, but through the Last Friends app they end up meeting. Their last day together is a poignant set of experiences as each confronts things that scare them/takes steps to make their last day one to be remembered.
Starting the novel knowing that we will lose our main characters at the end gave everything a rather melancholic feel. Yet the things they spend their time doing – and the bond they forge – was pretty inspiring. As Rufus says towards the end ‘Maybe it’s better to have gotten it right and been happy for one day instead of living a lifetime of wrongs’.
Silvera gets it so right here…
A solid homage to Hitchcock, with one or two modern twists.
Dr Anna Fox is agoraphobic. She spends her days inside her NY home in a fairly rigid number of ways: counselling on-line; playing chess; learning French; watching classic black and white movies; drinking fine Merlot; downing a wide variety of medication for all manner of illnesses and, last but not least, watching her neighbours.
In her very own ‘Rear Window’ moment, she creates her own life story through the lives of those around her. When a new family move in across the way, she is intrigued and it reminds her of all that she once had.
Dr Fox is not the most reliable of narrators, and yet there is something I found inherently trustworthy about her. When she says she has witnessed one of her neighbours get stabbed in the throat I wanted to believe her, even though the woman she claims was stabbed is alive and well.
The police don’t believe her. The husband of the woman she claimed had been stabbed seems to be hiding something. Her tenant is behaving oddly, and even the few people Anna allows herself to have physical interaction with start to fear for her sanity.
Inevitably there are comparisons with a number of other books featuring semi-incoherent female narrators and a was there/wasn’t there a murder storyline, but this is a solid thriller. The resolution to the story was not wholly incredible, and in spite of her evident flaws Finn manages to create empathy for his main character.
Unsurprisingly, the dust-jacket of my copy says this has already been optioned for a movie. It doesn’t really offer anything new, but that doesn’t make it any less fun to get lost in for a while.
A captivating read from start to finish. A truly magical tale that will appeal to the child we all hold within us.
Enter the world of Papa Jack’s Toy Emporium and nothing is what we expect. From toys that seem to be alive to toys that defy our expectations everything to be found within this store is a wonder.
We learn about the story of Papa Jack’s when young Cathy Wray runs away from home upon learning she is pregnant. Like so many other lost souls, the doors of the Emporium open to her. And so begins a relationship with the extraordinary that sees her through to old age.
We pass through some awful years, watching how the effects of war tarnish the innocence that Jakebs Goldman and his two sons, Kaspar and Emil, try to keep alive. Throughout, the presence of the magical Emporium is a constant.
While I was captivated by the delights and wonders presented to us in the opening part of the book, it came into its own when we began to explore the concerns of adulthood and the impact family rivalry can have (even years on).
I must thank NetGalley for allowing me to read this prior to publication, and now need to order my own copy to pass onto others who need that little bit of magic in their lives.
Korea, 1943. Hana has lived her entire life under Japanese occupation. As a haenyeo, a female diver of the sea, she enjoys an independence that few other Koreans can still claim. Until the day Hana saves her younger sister from a Japanese soldier and is herself captured and transported to Manchuria. There she is forced to become a “comfort woman” in a Japanese military brothel. But haenyeo are women of power and strength. She will find her way home.
South Korea, 2011. Emi has spent more than sixty years trying to forget the sacrifice her sister made, but she must confront the past to discover peace. Seeing the healing of her children and her country, can Emi move beyond the legacy of war to find forgiveness?
Hana has had the need to look after her little sister, Emi, instilled in her from an early age. As she performs the work of a haenyo, Hana keeps one eye on the shore to look out for her sister. One day her pledge to protect Emi costs her everything.
Taken from her family at the age of 16, Hana is seized by Japanese soldiers and taken to become what has been termed a ‘comfort woman’ – a Korean woman taken to fulfil the sexual needs of Japanese soldiers. In this new existence, Hana is expected to spend six days a week for up to eleven hours a day having sex with men who choose her.
Bracht is unflinching in the details she gives about the horrors Hana and those like her have to endure. It is hard to read, and knowing that this happened made me grit my teeth and read what I would really prefer not to have read. It’s the smallest act we can take to honour those who are treated so awfully in times of war.
The story does alternate between the events Hana experiences and the story of Emi, the sister left behind. This allowed us to get a sense of the cultural response to events described but it did lend a rather disjointed feel to the story.
I have to thank Bracht for writing this and raising my awareness of the subject. Thank you also to NetGalley for allowing me to read this prior to publication. Lastly, thank you to the women like Hana for what they had to experience.
In the beginning, there was the Namsara: the child of sky and spirit, who carried love and laughter wherever he went. But where there is light, there must be darkness—and so there was also the Iskari. The child of blood and moonlight. The destroyer. The death-bringer.
From its opening lines where Asha lures the dragon by telling it a story, we are in fantasy territory and it is compelling stuff.
From childhood Asha has lived with the old tales about the Namsara and the Iskari. They cost her mother her life, and Asha knows she cannot ever let anyone know she continues to tell them in spite of her father’s edict banning them. Yet, as her country’s Iskari, Asha is forced to hunt dragons and do what she can to prove herself good.
As the opening in a series we know there’s a much grander scope to this tale. However, for the first instalment we are given plenty to entertain us.
We watch Asha struggle with her sense of duty; we have the background of the country’s turmoil; there’s the callous Jarek, to whom Asha has been pledged; we have a developing romance, some truly inspiring relationships and…dragons.
I wasn’t totally convinced when I saw the cover that I would like this. Thankfully, it entranced me from the start and I cannot wait to see how Ciccarelli continues this tale.
Since I blacked out, the slightest thing seems to aggravate my brain and fill it with fire’
These are the things Lux knows:
She is an Artist.
She is lucky.
She is broken.
These are the things she doesn’t know:
What happened over the summer.
Why she ended up in hospital.
Why her memories are etched in red.
‘The nightmares tend to linger long after your screams have woken you up …’
Desperate to uncover the truth, Lux’s time is running out. If she cannot piece together the events of the summer and regain control of her fractured mind, she will be taken away from everything and everyone she holds dear.
If her dreams don’t swallow her first.
There’s no doubt about it that this contemporary YA read – due to be published in early February 2018 – packs a powerful punch.
Initially, Lux was not a character to feel empathy with. Her unwillingness to engage with things and people made her hard to care about. The environment in which she cloisters herself is alien to many of us.
Yet as the story progressed I found myself falling under a spell. Desperate to know what happened, we do get answers, and they are far more topical than we might expect. All along I had an idea in which way the book was heading (which wouldn’t have been awful), but Ruffles goes for something much bolder and braver…and it pays off.
This is one book I feel it’s best to know little about before reading. It is not immediately seeking to attract your attention, but it sneaks up on you. Once I’d closed the pages I was desperate to read it again.