Thank you NetGalley for this ARC. Something of a slow read, creating a small cast of characters and revealing, bit by bit, how they may or may not be instrumental in the death of Joy Enright, a high school senior.
When Joy’s body is found it is first thought to be a tragic accident. But then police reveal she was strangled and it becomes a murder investigation.
Her parents are devastated, but the experience raises awkward questions about the state of their family affairs and their interpersonal relationships. Alongside the immediate family we have Tom, a jack-of-all trades who was one of the last to see the girl alive and who is the son-in-law of one of the investigating police officers. The Detective is not portrayed positively – seen through the eyes of someone he does not have a good relationship with – and questions are raised as to whether he subverted the course of justice in his quest to become Chief of police. Added into the mix is talented artist, Martin, who had been having an affair with Joy’s mother.
There were times I found my attention drifting here. The split perspectives means it’s hard to really become invested in anybody. It meant the characters never became particularly likeable, and once we had the insight into Joy’s story at the end it was frustrating because it was clear to see how just one different action could have sparked a very different chain of events. Ultimately, though, that is part of the book’s charm.
An unexpected treat, and very different to the Magisterium series. Thank you NetGalley for allowing me to read this prior to publication (scheduled for January 2018).
As you may expect from Black, there’s plotting, intrigue, darkness and something otherworldly. I was uncertain at the beginning simply because it took a while to get into the character of Jude. However, as we pick up pace and start to see more of what’s going on it becomes more and more intriguing.
From the outset it seemed inevitable that the characters we thought we could trust might not be quite what they seem. There’s plenty of little details spread throughout the book that we only see the significance of later. I loved the premise of this, and the blending of fae and mortal worlds was deftly done.
Typically, we’re left with many questions for part two but this was a cracking start to the series. I’ll post a more detailed review/update after publication.
The rules of Aiden Bishop’s incarceration are simple. Every night at 11.00pm Evelyn Hardcastle will be killed. You have eight hosts, from whose perspective you will see the day re-run, and eight days in which to solve the murder. Once you reveal the name of Evelyn’s murderer you’re free to leave Blackheath.
That is all you are told before starting, so there’s enough to pique your interest but you’re left alone to find out the extent to which Aiden is manipulated through the course of the day.
There was a wonderful cast of characters in this. As we follow Aiden through his time, and start to learn a little of what he is required to do, we really get under the skin of these people. Not all of them were pleasant, but there was something compelling about seeing events through the different perspectives.
For me, the appeal was the twisting structure of this. I’ll admit it required focus on occasion to try and draw events together, and to keep track of the bodies into which Aiden was thrown. However, for a devoted fan of Quantum Leap this was like pulling on a cosy jumper and being let loose in a familiar setting.
I couldn’t trust anyone, and I even doubted Aiden’s sanity at times. The linking of this event to a murder many years previously was a master stroke, though it does make sense once we’re in possession of some key details.
Hugely entertaining, and an intriguing idea (which you’ll be desperate to talk about once someone’s read it) that deserves to become a book to be talked about.
Thank you NetGalley for the advance copy in exchange for my review.